Chapter Nineteen India, China, and Japan: From the Medieval to the
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Transcript Chapter Nineteen India, China, and Japan: From the Medieval to the
Chapter Nineteen
India, China, and Japan:
From the Medieval to the Modern World
Culture and Values, 6th Ed.
Cunningham and Reich
The Mughal Empire
Babur (1483-1530), Akbar (1542-1605)
India as center of civilization
Religious freedom (Islam, Hindu)
Urdu language
Artistic blend of Hindu, Persian, and
Islamic elements
Mughal Art
Architecture
Mosques, palaces, walled cities, forts
Indian techniques, Arabic innovations
Dome, pointed arch, minaret
Taj Mahal at Agra (Shah Jehan)
Tomb, monument for Banu Begam
Mughal Art
Visual Arts
Book illustrations, miniatures
Secular
Realistic scenes from courtly life
Persian influences
calligraphy
Mughal Art
Literature
Babur’s Baba-nama (Turkish)
Literary devotion of Homayun
Poetry (Persian)
Mughal tolerance
Tulsi Das (1532?-1623)
The End of Mughal Rule
and the Arrival of the British
Aurangzeb (1618-1707)
Islam vs. Hindu
Sikhism
British East India Trading Company
India as “Jewel in the Crown” of Britain
Controlled by British government by 1849
The Rise of Nationalism
India’s National Congress Party
Strife for self-rule
Mohandas Gandhi (1869-1948)
Satyagraha
National literature
Prem Cand (1880-1936)
Rabindranath Tagore (1861-1941)
Chinese Culture
Under Imperial Rule
Centralized government (1368-1911)
Untouched by Western influence
Port of Macao
Political and social stability
Population growth
Poverty, political unrest, revolution
The Arts Under the Ming Dynasty
Political, economic stability
Cultural enrichment
Confucianism
New literary genres
Hua-Pen
Novels
Stage plays
The Arts Under the Ming Dynasty
Landscape paintings
Human form in natural setting
Artistic attitudes
“change within tradition”
No distinctions between major art forms
Painted ceramicware, “China”
The Arts Under the Ming Dynasty
Architecture tied to Confucianism
Kublai Khan (c. 1216-1294)
Marco Polo (c. 1254-1324)
The Forbidden City
South vs. North
Traditional symbolic values
The Qing Dynasty:
China and the Western Powers
Kang Hsi (1654-1722)
Synthesized local, central administration
Introduced Western arts, education
Jesuit missionaries
Cultural stagnancy
Basic technological methods
Old artistic formulas, Shitao’s Landscape
The Qing Dynasty:
China and the Western Powers
Western Trade and Chinese Independence
Opium War (1839-1842)
Internal rebellions weakened government
Tai Ping Rebellion, Boxer Rebellion
Republican Revolution
Sun Yat-sen
Chiang Kai-shek, Mao Tse-tung
The Art and Culture of Japan:
Early Japanese History and Culture
Capital from Nara to Kyoto
Shift from Buddhism to Shintoism
Japanese writing system, literature
Poetry
Theater (no plays)
Murasaki’s novel Tale of Genji
Shonagon’s pillow-book
The Art and Culture of Japan:
The Period of Feudal Rule
Kakamura (1185)
Samurai-dokoro, Shogun
Control of samurai
Rise of the warrior class
Age of the Warring States (1467-1568)
Daimyo vs. Shogun
Introduction of firearms
The Art and Culture of Japan:
The Edo Period
Rule of the Tokugawa family (1543-1868)
Japanese versions of landscapes
Gentler colors, heightened abstraction
Influence of Western art
Peacocks and Peonies (1176)
Woodblock art
Hokusai Katsushika (1760-1849)
The Art and Culture of Japan:
The Edo Period
Basho’s Haiku
Buddhist, Zen Buddhist reflections
Crucial detail of landscapes
Saikaku, Life of an Amorous Woman
Overt eroticism, tales of homosexuality
Monzaemon, The Love Suicide at Amijima
Kabuki drama
Modern Japan:
The Meiji
Commodore Perry, trade with America
Mitsuhito’s “Enlightened Government”
Radical program of reform
Strong central government
Military program
Industrialization
Chapter Nineteen: Discussion Questions
To what extent did religious and cultural tolerance of the Moghal
empire affect the arts of the period? Explain, citing specific
examples. What was the effect of a loss of tolerance?
What were the positive effects of China’s resistance to Western
cultural influences? How did the country’s isolation ultimately
serve to undo it political and social stability? Explain.
What was the function of art in Communist China? Explain.
What was the result of outside influence into Japanese culture
during the Period of Feudal Rule and beyond into the Meiji?
Consider the far-reaching effects (both positive and negative) of
this influence to the people and culture of Japan.