Willoughby7e_PPT_Chapter10
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Transcript Willoughby7e_PPT_Chapter10
The World of Music
7th edition
Part 4
Listening to Western
Classical Music
Chapter 10: Music of the
Baroque Period
(1600–1750)
© 2010 The McGraw-Hill Companies, Inc. All rights reserved
New Terms
Chorale
Opera
Aria
Ornamentation
Homophonic
Tonality
Continuo
Figured Bass
Part IV Listening to Western Classical Music
Chapter 10 Music of the Baroque Period
© 2010 The McGraw-Hill Companies, Inc. All rights reserved
Baroque Instrumental Music
Support Voices
Orchestra Created
Violin Family
Trumpet
Oboe
Flute
Other Important
Instruments
Lute
Harpsichord
Organ
Fortepiano (invented,
but still rare)
Part IV Listening to Western Classical Music
Chapter 10 Music of the Baroque Period
© 2010 The McGraw-Hill Companies, Inc. All rights reserved
Reasons for the Creation of Opera
Interest in Greek Tragedies
More Theatrical Music
Word Painting in Music
Shifting to a Homophonic Aesthetic
Creation of Aria and Recitative
Part IV Listening to Western Classical Music
Chapter 10 Music of the Baroque Period
© 2010 The McGraw-Hill Companies, Inc. All rights reserved
More Terms
Form
Concerto Grosso
Overture
Dance Suite
Sonata
Part IV Listening to Western Classical Music
Chapter 10 Music of the Baroque Period
© 2010 The McGraw-Hill Companies, Inc. All rights reserved
Solo Keyboard Forms
Toccata
Prelude
Fantasia
Fugue
Theme and Variations
Passacaglia
Chaconne
Usual Instruments
Harpsichord
Clavichord
Organ
Part IV Listening to Western Classical Music
Chapter 10 Music of the Baroque Period
© 2010 The McGraw-Hill Companies, Inc. All rights reserved
Johann Sebastian Bach (1685–1750)
Composer, Choirmaster, and Organist
Phenomenal Skill with Counterpoint
His music is still studied today!
Prolific output at the highest level
Bach’s genius was neglected for a time but
was rediscovered in the 19th century
Part IV Listening to Western Classical Music
Chapter 10 Music of the Baroque Period
© 2010 The McGraw-Hill Companies, Inc. All rights reserved
George Frideric Handel (1685–1759)
International Man
Born in Germany
Studied/developed in Italy
Lived (with great fame) in England for 50 years
The Messiah
Oratorio
His most famous piece
The “Hallelujah Chorus” is from this work
Part IV Listening to Western Classical Music
Chapter 10 Music of the Baroque Period
© 2010 The McGraw-Hill Companies, Inc. All rights reserved
Other Baroque Composers
Arcangelo Corelli (1653–1713)
François Couperin (1668–1733)
Elisabeth-Claude Jacquet de la Guerre
(1666–1729)
Henry Purcell (1659–1695)
Antonio Vivaldi (1678–1741)
George Philipp Telemann (1681–1767)
Part IV Listening to Western Classical Music
Chapter 10 Music of the Baroque Period
© 2010 The McGraw-Hill Companies, Inc. All rights reserved
Chapter Summary
Is there a relationship between the
increased number of secular pieces and
the increased number of instrumental
works?
Do you think it is significant that Bach was
Lutheran? Could he have made the same
impact if he had been composing within the
Catholic church?
Part IV Listening to Western Classical Music
Chapter 10 Music of the Baroque Period
© 2010 The McGraw-Hill Companies, Inc. All rights reserved
Image Credits
Slide 2
H. Wiesenhofer/PhotoLink/
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Part IV Listening to Western Classical Music
Chapter 10 Music of the Baroque Period
© 2010 The McGraw-Hill Companies, Inc. All rights reserved