sound and music
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Music
Physics 202
Professor Vogel
(Professor Carkner’s notes, ed)
Lecture 9
Music
A musical instrument is a device for setting up
standing waves of known frequency
A standing wave oscillates with large amplitude and so
is loud
We shall consider an generalized instrument
consisting of a pipe which may be open at one or
both ends
Like a pipe organ or a saxophone
There will always be a node at the closed end
and an anti-node at the open end
Can have other nodes or antinodes in between,
but this rule must be followed
Closed end is like a tied end of string, open end is like a
string end fixed to a freely moving ring
Sound Waves in a Tube
Harmonics
Pipe open at both ends
For resonance need a integer number of ½
wavelengths to fit in the pipe
Antinode at both ends
L=½ln
v = lf
f = nv/2L
n = 1,2,3,4 …
Pipe open at one end
For resonance need an integer number of ¼
wavelengths to fit in the pipe
Node at one end, antinode at other
L = ¼l n
v = lf
f = nv/4L
n = 1,3,5,7 … (only have odd harmonics)
Harmonics
in Closed
and Open
Tubes
Adding Sound Waves
If two sound waves exist at the same
place at the same time, the law of
superposition holds.
This is true generally, but two special
cases give interesting results:
Adding harmonics
Adding waves of nearly the same
frequency
Adding Harmonics
Superposition of two or more sound
waves
that are all harmonics of the same
fundamental frequency
one may be the fundamental
The sum is more complicated than a
sine wave
but the resultant wave oscillates at the
frequency of the fundamental
simulation link
Beat Frequency
You generally cannot tell the difference
between 2 sounds of similar frequency
If you listen to them simultaneously
you hear variations in the sound at a
frequency equal to the difference in
frequency of the original two sounds
called beats
fbeat = |f1 –f2|
Beats
Beats and Tuning
The beat phenomenon can be used to tune
instruments
Compare the instrument to a standard
frequency and adjust so that the frequency of
the beats decrease and then disappear
Orchestras generally tune from “A” (440 Hz)
acquired from the lead oboe or a tuning fork
The Doppler Effect
Consider a source of sound (like a car)
and a receiver of sound (like you)
If there is any relative motion between
the two, the frequency of sound
detected will differ from the frequency
of sound emitted
Example: the change in frequency of a
car’s engine as it passes you
Stationary Source
Moving Source
How Does the Frequency
Change?
If the source and the detector are moving
closer together the frequency increases
The wavelengths are squeezed together and get
smaller, so the frequency gets larger
If the source and the detector are moving
further apart the frequency decreases
The wavelengths are stretched out and get larger
so the frequency gets smaller
Doppler Effect
Doppler Effect and Velocity
The degree to which the frequency changes
depends on the velocity
The greater the change the larger the velocity
This is how police radar and Doppler weather
radar work
Let us consider separately the situations
where either the source or the detector is
moving and the other is not
Stationary Source, Moving
Detector
In general f = v/l but if the detector is
moving then the effective velocity is v+vD
and the new frequency is:
f’ = v+vD/l
but l=v/f so,
f’ = f (v+vD / v)
If the detector is moving away from the
source than the sign is negative
f’ = f (v vD /v)
Moving Source, Stationary
Detector
In general l = v/f but if the source is moving
the wavelengths are smaller by vS/f
f’ = v/ l’
l’ = v/f - vS /f
f’ = v / (v/f - vS/f)
f’ = f (v/v-vS)
The the source is moving away from the
detector then the sign is positive
f’ = f (v/v vS)
General Doppler Effect
We can combine the last two equations and
produce the general Doppler effect formula:
f’ = f ( v±vD / v±vS )
What sign should be used?
Pretend one of the two is fixed in place and
determine if the other is moving towards or away
from it
For motion toward the sign should be chosen
to increase f’
For motion away the sign should be chosen to
decrease f’
Remember that the speed of sound (v) will often
be 343 m/s
The Sound Barrier
A moving source of sound will produce wavefronts
that are closer together than normal
The wavefronts get closer and closer together as the
source moves faster and faster
At the speed of sound the wavefronts are all pushed
together and form a shockwave called the Mach cone
In 1947 Chuck Yeager flew the X-1 faster than the
speed of sound (~760 mph)
This is dangerous because passing through the shockwave
makes the plane hard to control
In 1997 the Thrust SSC broke the sound barrier on
land
Bell X-1
Thrust SSC