Italian Renaissance Art
Download
Report
Transcript Italian Renaissance Art
Changes in Art
Following this slide are two images. Examine
the two images. One is from the Medieval
(Middle Ages) period and one is from the
Renaissance.
How can you tell that these images are
from different time periods?
What are the characteristics of each
piece? Does one image have brighter colors?
Does one have clearer images?
Try to list all of the distinguishing
characteristics of each piece.
New Techniques
Fresco
Perspective
Human anatomy and
movement
Sculpture
Architecture
Painting done on fresh,
wet plaster with water
based paints, 3-D
Organization of
outdoor space and
light through geometry
Realistic of humans
Free Standing!
Donatello- Greek and
Roman influence
Brunelleschi- focused
on human needs not
divine
Pieta
BY:
Donatello
Masters of High Renaissance
Leonardo da Vinci
Raphael
Michelangelo
Did realistic painting,
dissected human
bodies, goal to capture
the beauty of nature
Admired for
Madonna's (Virgin
Mary)
Accomplished painter,
sculptor, architect
Sistine Chapel
Art and Patronage
Italians were willing to spend a lot of
money on art.
/
/
/
Why were they so wealthy?
Art communicated social, political, and spiritual
values.
Due to banking & trade- people had the money
to spend & commission artists.
Public art in Florence was organized and
supported by guilds.
Therefore, the consumption of art was used as a
form of competition for social & political status!
1. Realism &
Expression
Expulsion from
the Garden
Masaccio
1427
First nudes since
classical times.
2. Perspective
The Trinity
Perspective!
Perspective!
Perspective!
Perspective!
Perspective!
Perspective!
Masaccio
1427
Perspective!
First use
of linear
perspective!
What you are,
I once was;
what I am,
you will
become.
3. Classicism
Greek-Roman
influence.
Secularism.
Humanism.
Symmetry/Balance
Raphael, School of Athens (1509)
12: Socrates 13: Heraclitus (Michelangelo) 14: Plato
(Leonardo da Vinci) 15: Aristotle 17: Plotinus (Donatello)
R: Apelles (Raphael)
4. Emphasis on Individualism
Batista Sforza & Federico de Montefeltre: The
Duke & Dutchess of Urbino
Piero della Francesca, 1465-1466.
5. Geometrical Arrangement of
Figures
The Dreyfus
Madonna
with the
Pomegranate
Leonardo da
Vinci
1469
The figure as
architecture!
6. Light & Shadowing/Softening
Edges
Sfumato
Chiaroscuro
7. Free-Standing
Sculpture
Individualism free
standing figures,
first since Classical
era
Contraposto posture
The “Modest Pose”
Medici “Venus” (1c)
8. Artists as
Personalities/Celebrities
Lives of the Most
Excellent
Painters,
Sculptors, and
Architects
Giorgio Vasari
1550
Mona Lisa
The French Ambassadors
The Letter