Italian Renaissance 2010
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Transcript Italian Renaissance 2010
Renaissance
1300-1600
“rebirth” of classical learning, art,
and creativity.
The Renaissance
has its birth in Florence, Italy
Brunelleschi’s dome
Renaissance
Renaissance is a: French word meaning
rebirth
Dates: 1300 - 1600
The Renaissance is a period of great
intellectual & artistic creativity which
included the revival of interest: in the
great Classical culture of ancient Greece
& Rome
The Renaissance grew out of: the new
ideas combine with classical ideas
The people of the Renaissance had a new
view of: themselves and their world
The Renaissance began about 1300 in
Northern Italy because of the
following advantages:
a. Large urban centers
b. Merchants acquired great wealth from
trade
c. Merchants were also patrons: sponsors of
art, artists, writers, by hiring them
d. Italy was not unified politically, many
individual city-states
Florence, Italy:City of Flowers
Birthplace of the Renaissance
a. Led the Renaissance in: artistic excellence
b. Became the financial capital of Europe:
the Florin was used throughout Europe
c. Florentine economic activities: textiles
(manufacturing and trading cloth) and
banking (finance)
d. Florentines developed a republican form of
government but: only guild members (3%)
could hold government office
Florentine cloth
Florin
Values that shaped the Renaissance
a. Celebration of the individual: Artists and
writers wanted to be known
b. Love of Classical learning: Greece & Rome
Humanists: scholars who studied the
classical texts
Petrarch – Father of humanism who coined
the phrase: “Dark Ages” to sum up the
Middle Ages
c. Enjoyment of worldly pleasures – The ideal
for the renaissance man was to be:
successful in many fields (versatile)
Medieval Man
a. Very religious
b. Greatly influenced
by the church
c. Accepted ideas on
authority (did not
question)
d. Felt wealth and
pleasure were
sinful
Renaissance Man
a. Religious, but not
obsessed by
religion
b. Involved in worldly
affairs
c. Questioned
traditional
attitudes
d. Enjoyed the
pleasures of living
Art and Patronage
Italians were willing to spend a lot of
money on art.
/
/
Art communicated social, political, and spiritual
values.
Italian banking & international trade interests
had the money.
Public art in Florence was organized and
supported by guilds.
Therefore, the consumption of art was used as a
form of competition for social & political status!
Quattrocentro: Italian name for
the 15th century
Florence’s Golden Age which saw the
powerful de Medici family come to power in
Florence
Cosimo de Medici
Rule of Cosimo de Medici
a. Controlled the
government of
Florence for 30 years
without holding
political office
b. Beautified Florence
with his own money
c. Collected books and
provided Florence
with the first free
public library
Cosimo’s library
Rule of Lorenzo de Medici (the Magnificent):
grandson of Cosimo de Medici
a.
Ruled with absolute power
but kept up the appearance
of the republican gov’t
b. Sponsored balls &
celebrations in Florence to
gain support of the people
c. Michelangelo studies at the
school of sculpture which was
housed at Lorenzo’s home
d. Avoided assassination
e. Quattrocentro (Golden Age)
ends: two years after his
death
Isabella d’Este – da Vinci, 1499
1474-1539
“First Lady of
the Italian
Renaissance.”
Great patroness
of the arts in
Mantua.
Known during her
time as “First
Lady of the
World!”
Florence is invaded by France and then Spain
after Lorenzo’s death
The Renaissance spreads to Rome and
Northern Europe
Pope Julius II – famous papal patron who
commissioned Michelangelo to paint the
ceiling of the: Sistine Chapel in Rome
The Renaissance belief in the worth of the
individual played a key role in the: rise
of democratic ideas
Francesco Petrarch
1304-1374, Italian,
humanist.
Considered the first
modern poet.
Perfection of the
sonnet influences
English poets.
Key figure hunting down
classical manuscripts.
Francesco Petrarch
Wrote some of the
greatest love poems ever.
Created abba, cdcdcd
meter sonnet –
Shakespeare based work
off him. ( iambic
pentameter = Petrarchan)
His sonnets devoted to
Laura.
His main influence was his
interest in classical
writers.
Studied the writings of
ancient Greeks and
Romans.
Made Poet Laureate of the
Senate of Rome in 1341.
Giovanni Boccaccio
1313-1375.
The Decameron, which
both Chaucer and
Shakespeare borrowed
from.
Comprised of 100 short
novellas told by ten
people outside city of
Florence, which is
ravaged by Plague
Celebrates love/lust
and attacks church,
medieval society.
Il Decameron
Most important work.
Began in 1348 and completed in 1353.
It was first translated into English, as The
Decameron, in 1620.
Decameron
Niccolo Machiavelli:
1469-1527, born in
Florence.
Father of Modern
Political Science.
Wrote His most
famous essay The
Prince which
describes government
not in terms of ideals
but how he thought
government worked.
“ends justify the
means”
The Prince
Machiavelli starts The
Prince describing two
different types of
government; Monarchies
and republics.
Machiavelli, in The Prince,
uses the Cesare Borgia as
an example of achieving
political power through
cruel and ruthless means.
Discusses power and he
insists that one must instill
fear in their subjects.
From the: Museum of Political Art
Machiavelli
“It is safer to be feared than it is to be
loved.”
On the Art of War:1521, describes the
advantages of conscripted military troops.
The Mandragola: “The Mandrake” a satire
on the corruption of contemporary Italian
society.
Baldassare Castiglione by Raphael,
1514-1515
Castiglione
represented the
humanist
“gentleman” as
a man of
refinement and
self-control.
Baldassare Castiglione
Wrote famous book, The Courtier,
which defines role of refined
courtier against rude and coarse
knight.
Reflects how gentlemen and ladies
should act in polite society.
Proper manners and behavior
stressed.
1. Realism & Expression
Expulsion from
the Garden
Masaccio
1427
First nudes since
classical times.
2. Perspective
The Trinity
Perspective!
Perspective!
Perspective!
Perspective!
Perspective!
Perspective!
Masaccio
1427
Perspective!
First use
of linear
perspective!
What you are,
I once was;
what I am,
you will
become.
3. Classicism
Greco-Roman
influence.
Secularism.
Humanism.
Individualism
free
standing figures.
Symmetry/Balance
The “Classical Pose”
Medici “Venus” (1c)
4. Emphasis on Individualism
Batista Sforza & Federico de Montefeltre: The
Duke & Dutchess of Urbino
Piero della Francesca, 1465-1466.
5. Geometrical Arrangement of
Figures
The Dreyfus
Madonna
with the
Pomegranate
Leonardo da
Vinci
1469
The figure as
architecture!
6. Light & Shadowing/Softening Edges
Sfumato
Chiaroscuro
7. Artists as Personalities/Celebrities
Lives of the Most
Excellent
Painters,
Sculptors, and
Architects
Giorgio Vasari
1550
Giotto
Florentine who is
considered the first
Italian Renaissance
painter
He started a
revolution in painting
by giving a sense of
depth and roundness in
his paintings
He used naturalism in
his frescoes
His figures interacted
with each other
Their faces showed
realistic emotion
Giotto’s Madonna's
“St. Francis feeds
the birds”
“Slaughter of the
Innocents”
1. Self-Portrait -- da Vinci, 1512
Artist
Sculptor
Architect
Scientist
Engineer
Inventor
1452 - 1519
Leonardo da Vinci
A true renaissance
man who was skilled in
many areas
Kept “Notebooks”
filled with his ideas
Met Machiavelli while
he was Cesare Borgia’s
military engineer
Francis I invited him
to live in France.
Francis said, “no other
man had been born
who knew as much as
Leonardo”
Vitruvian Man
Leonardo da
Vinci
1492
The
L’uomo
universale
Leonardo, the Artist
The Virgin of
the Rocks
Leonardo da
Vinci
1483-1486
Leonardo, the Artist:
From hisNotebooks of over 5000 pages (1508-1519)
Mona Lisa – da Vinci, 1503-4
A Macaroni Mona
A Picasso Mona
An Andy Warhol Mona
A “Mona”ca Lewinsky
Mona Lisa OR da Vinci??
The Last Supper - da Vinci, 1498
& Geometry
Refractory
Convent of Santa
Maria delle
Grazie
Milan
vertical
The Last Supper - da Vinci, 1498
horizontal
Perspective!
Deterioration
Detail of
Jesus
The Last
Supper
Leonardo da
Vinci
1498
A Da Vinci “Code”:
St. John or Mary Magdalene?
Leonardo, the Sculptor
An
Equestrian
Statue
1516-1518
Leonardo, the Architect:
Pages from his Notebook
Study of a
central church.
1488
Leonardo, the Architect:
Pages from his Notebook
Plan of the city of Imola, 1502.
Leonardo, the Scientist (Biology):
Pages from his Notebook
An example of
the humanist
desire to unlock
the secrets of
nature.
Leonardo, the Scientist (Anatomy):
Pages from his Notebook
Leonardo, the Inventor:
Pages from his Notebook
Man Can Fly?
Leonardo, the Engineer:
A study of siege defenses.
Pages from
his Notebook
Studies of water-lifting
devices.
Inventions
Michelangelo
Painter, sculptor,
architect, musician
Studied sculpture at
Lorenzo de Medici’s home
Moved to Rome where the
“Pieta” was completed in
1497
“David” completed in 1504
Pope Julius II commissions
the “Sistine Ceiling” (150811)
“Last Judgment” completed
in the Sistine Chapel 1534
2. Michelangelo Buonorrati
1475 – 1564
He represented
the body in
three
dimensions of
sculpture.
The Popes as Patrons of the Arts
The Pieta
Michelangelo
Buonarroti
1499
marble
David
Michelangelo
Buonarotti
1504
Marble
The Sistine Chapel
Michelangelo
Buonarroti
1508 - 1512
The Sistine Chapel’s Ceiling
The Sistine Chapel Details
The
Creation
of the
Heavens
The Sistine Chapel Details
Creation of Man
A Modern “Adaptation”
Joe Gallo in the New York Daily News, 2004
The Sistine Chapel Details
The Last Judgment
15c
What
a
difference
a
century
makes!
16c
Comparing Domes
Raphael
He painted many
frescoes in the
Vatican for pope Julius
II
His “School of Athens”
portrays Socrates,
Plato, & Aristotle
This piece glorifies
philosophy &
represents human
reason
Famous for his
paintings of Madonna's
and the Christ child
3. Raffaello Sanzio (1483-1520)
Self-Portrait, 1506
Portrait of the Artist with
a Friend, 1518
Perspective!
Betrothal
of the Virgin
Raphael
1504
Raphael’s Canagiani Madonna, 1507
Raphael’s Madonnas (1)
Sistine Madonna
Cowpepper Madonna
Raphael’s Madonnas (2)
Madonna della Sedia
Alba Madonna
The School of Athens – Raphael, 1510 -11
One point perspective.
All of the important Greek philosophers
and thinkers are included
all of the
great personalities of the Seven Liberal
Arts!
A great variety of poses.
Located in the papal apartments library.
Raphael worked on this commission
simultaneously as Michelangelo was doing
the Sistine Chapel.
No Christian themes here.
The School of Athens–Raphael, 1510 -11
Da Vinci
Raphael
Michelangelo
The School of Athens – Raphael, details
Plato:
looks to the
heavens [or
the IDEAL
realm].
Aristotle:
looks to this
earth [the
here and
now].
Hypatia
Pythagoras
Zoroaster
Ptolemy
Euclid
The Liberation of St. Peter by Raphael, 1514
Portrait of Pope Julius II
by Raphael, 1511-1512
More concerned with
politics than with
theology.
The “Warrior Pope.”
Great patron of
Renaissance artists,
especially Raphael &
Michelangelo.
Died in 1513
Titain -Activism
Figures in motion
Groups of figures
in paintings seem
to interact and
combine to give
the illusion of
movement.
Figures are active
they are not posed
Action is frozen in
time
Titian - Bacchus & Adriadne
Titan - A master of Color
The Assumption and
Coronation of the
Virgin
Complex double twist
of the Virgin is the
1st of its type in
Venetian art
Color Triangle and
careful balance of
contrasting patches of
color sweep the eye to
the top of the picture