ch0-1-mediahistoryx - Environmental history timeline
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Transcript ch0-1-mediahistoryx - Environmental history timeline
Brief lectures
in Media
History
Introduction
Media history and technology
Topics
About history
◦ Historians and their motives
◦ Social histories and critiques of media
About media technology
◦ Four revolutions in mass media
◦ Harold Innis – empire and communication
◦ Marshall McLuhan – theories of media change
and influence
What is history?
Collective memory
Allows broad questions – when and who,
but also why and how …
Not a search for exact answers
Not science, not social science
Duty to accuracy and truth
Same facts / different interpretations
Historians often have different
motivations
Why do historians write history?
Herodotus (484–420 BCE) preserve the
memory of great heroes
◦ Often in conflict with the next idea:
Thucydides (460–400 BCE) learn the
lessons of the past as a guide to the
future
◦ George Santayana (1863–1952), “Those who
cannot remember the past are condemned to
repeat it.”
Is history objective?
Leopold Von Ranke (1795–1886) said that
historians should take a “scientific”
approach and report “the way things
really were.
Moral and progressive historians –
Charles Beard, Lord Acton
◦ Acton said – Power corrupts, absolute power
corrupts absolutely. )
Is objectivity a “noble dream” as Peter
Novick said?
Is objectivity the problem?
Herbert Butterfield (1900–1979)
objected to “whig” history
◦ Whig history honors the heroes, emphasizes
progress, ignores the roads not taken, deemphasizes minorities, and generally glorifies
the inevitable present.
◦ Whig history is what happens when the
winners get to write history.
End of history
Francis Fukuyama (1952–present) and Jean
Baudrillard (1929–2007)
End of the idea of progress
Abandonment of utopian visions shared by both
the right- and left-wing political ideologies
Social history – Lippmann
Walter Lippmann
◦ 1922 book, Public Opinion
Press should be part of a system of checks
and balances
◦ This is “the original dogma of democracy”
Not working – press is too weak
Media and historical change
◦
◦
◦
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Authoritative (censored)
Partisan (political parties)
Commercial (often sensationalistic)
Organized intelligence (future development)
Other social historians
Upton Sinclair -- The Jungle, The Brass Check,
Muckraker, press critic 1900s – 1930s
A. J. Liebling -- New Yorker media critic 1940s
I. F. Stone, also George Seldes
◦ Independent editors and press critics 1950s – 70s
Ben Bagdikian – 1970s – 90s
◦ Media Monopoly, press concentration
Neil Postman -- 1980s - 90s
◦ Amusing Ourselves to Death
Critical media theory
Sociologists -- Max Weber and Michael Schudson
◦ Ideational model helps observe the clash of ideas around social
reform
Communications theorists -- Michel Foucault
◦ Discourse analysis to understand the information content and
structure of mainstream cultural products and “subjugated
knowledges.”
Critical theorists
◦ Frankfurt School -- Theodor W. Adorno, Walter Benjamin and
Jürgen Habermas
Conflict of classes / Marxist analysis
Mass media is structured to subvert identity and assimilate individuality
into the dominant culture
◦ Noam Chomsky “libertarian socialist
propaganda model – media supports ruling elites.
Four media revolutions
Printing
◦ Moveable type – 1455
Associated with religious revolution 1500s – 1700s
◦ Industrial scale printing
Associated with political revolutions 1700s – now
Imaging
◦ Engraving, photography and cinema
◦ Ads and PR as image making
Both associated with popularization of media
Electronic – radio, TV, satellites
Associated with nationalization of media
Digital – computers, networks
Associated with emerging global culture
Media technology & history
To what extent is media technology
at the center of human history?
Two theorists – Innis & McLuhan
◦ Harold Innis (1894 – 1952)
Empire and Communications
Stressed balance between:
Durable, time – binding media (including oral culture)
Flexible, space – binding media
Both needed for “empire building” but lack of
balance led to loss of empires
Media technology & history
◦ Marshall McLuhan (1911–1980)
Technical change in media (the Tetrad)
What does a new media enhance, obsolete, retrieve, and
reverse?
Medium is the message
Deterministic view of media type as shaping the content of
a message
Hot and cool media
“Hot” media immerses audience and allows less
participation – cinema
“Cool” media requires involvement and thought
-- printed media, possibly radio
Useful basic concepts
Determinism versus social construction
◦ Does the technology advance due to its own
properties or do social, political and economic
forces shape the technology?
Utopians versus Luddites
◦ Will a new technology improve things or make
them worse?
Technological fallacies
◦ Predictions about future uses for technology that
turn out to be off base
Next: the printing revolution