Transcript 放牛班的春天
放牛班的春天 观后感 郑惠、赵康、罗艳、周蒙蒙、 一个 爱与音乐交织 的故事, 一把 找回遗忘记忆 的钥匙, 一个 勇敢追求 The Chorus • The • The • The • The Background Story Acting Success The Background • Christophe Barratier's The Chorus (Les Choristes) was an unexpectedly huge hit in France, to the point where it has reportedly reawakened a national interest in boys’ choirs. It’s doubtful that its influence on British audiences will be quite so profound, but it’s a hugely enjoyable film. The film was deservedly nominated for two Oscars (for Best Foreign Film and Best Original Song) and although it lost out on both awards, it did at least provide grand spectacle of Beyoncé Knowles singing the main song at the Oscars, in French. The Story • the film begins in the present day when a famous conductor, Pierre (Jacques Perrin) is visited by an old schoolmate, Pepinot (Didier Flamand) and together they relive the arrival at their reform school of new teacher Clement Mathieu (Gérard Jugnot). The young Pierre (Jean-Baptiste Maunier) is always in trouble, not least from the stern headmaster, Monsieur Rachin (Francois Berléand) and Mathieu takes him under his wing, particularly when he starts a choir for the boys and discovers that Pierre has a heavenly singing voice. The Acting • Jugnot shines as Mathieu, despite (or perhaps because of) his occasional resemblance to Mikhail Gorbachev. His scenes with the children (particularly the young Pierre and Pepinot) are extremely moving, as is his unrequited crush on Pierre’s attractive mother (Marie Bunel). The scene where he learns that she is in love with someone else is heartbreaking. There is also excellent support from the rest of the cast, from Berléand’s performance as the sadistic head to Gregory Gatignol as the school thug and Jean-Paul Bonnire as the kindly old school caretaker. However, the stand-out performance belongs to Jean-Baptiste Maunier, who really does have -as the script says- the face and voice of an angel. Maunier was allegedly plucked from a choir group having never acted before and has now become something of a sensation in France. The Success • The French film Les Choristes (The Chorus) follows in this tradition and last year met with incredible success in its homeland, outperforming Harry Potter and other big budget film imports. Pretty impressive for the first feature film by director and composer Christophe Barratier, who adapted the screenplay from a little known 1945 film called The Cage of the Nightingales. The new movie's soundtrack features choral music by leading French composer Bruno Coulais and also became a surprise hit, contributing to an unexpected resurgence in classical youth choirs in France. • 一位评论家为该片写下了这样一段话：“不同于一般的运 用悲情拼命煽情的悲情电影，或极尽夸张搞怪的爆笑喜剧， 《放牛班的春天》是一部让人因为喜悦而泪流满面的电影。 这也创造了法国电影新概念——阳光情感电影。这部没有 美女、暴力；没有动作、凶杀和商业元素的好电影成为了 本年度法国人的心灵鸡汤”。“我唱，你唱，他唱……影 片《放牛班的春天》如一声响雷，让法国合唱事业如雨后 春笋般地繁荣起来，时至今日，共汇集起几十万各个年龄 段的合唱业余爱好者。” • 每个孩子都是天才 • 教师的意义在于开发 学生潜能，拓展心智 发展的疆域的同时， 培养可持续性发展的 自觉性。 • 在我们的教育教学中，应 该看到：学生都有自己的 优缺点，关键要看怎么去 挖掘，怎么去教育，充分 挖掘孩子的优点天赋潜能 和爱心，孩子才能很好地 成长起来。这部法国影片 中马修的行为，杭莫治的 成材，佩尔诺的成长，有 力地印证了我国著名教育 家陶行之先生的一句话： “漫天撒下爱心种，伫看 他日结果时”。因此这部 影片值得我们观看，更值 得我们品味。