Bell Ringer * 10/2 - North Oldham High School Bands
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Transcript Bell Ringer * 10/2 - North Oldham High School Bands
BELL RINGER – 10/2
m.socrative.com
– Room 38178 OR Bell Ringer Card
QUESTION:
Name
2 artworks that were commissioned by the
Medici Family (2 artworks that they had created).
From
the video!
If you get stuck, look at the artworks you had to know for
your last quiz and think of which ones you saw created in
the videos…
RENAISSANCE MUSIC
RENAISSANCE MUSIC
Introduction
Lots of definitions (with modern examples)
Renaissance composers and music examples
INTRODUCTION TO RENAISSANCE MUSIC
The early Renaissance was almost exclusively a time of visual art and
architecture, music came later
The existence of the Academy in Florence, and its interest in things classical,
encouraged much speculation and interest among the scholars of Florence
Initially just visual art, but did have a School of Music
Music was an important part of Florentine life
School of music at the Academy attracted performers from all over Europe
and made Florence the center of musical change
INTRODUCTION TO RENAISSANCE MUSIC
Profound interest in the music of the Greeks and the role of
music in society as expressed in the writings of Plato and
Aristotle
Aristotle saw music as contributing to moral order
Music
helps makes a person complete
INTRODUCTION TO RENAISSANCE MUSIC
Included a variety of textures
Monophony,
Homophony, Polyphony, & 4-Part Harmony
Wide Range (higher highs, lower lows)
Trained
musicians/performers
Emphasis on the text – word painting, imitation
Distinct vocal and instrumental styles
Vocal
music was still more important than instrumental
VARIETY OF TEXTURES - MONOPHONY
Monophony – one single melodic line
One note at a time
One
singer singing solo
Multiple singers all singer the exact same pitches at the exact same
time
One person playing an instrument (only one note at a time – if playing
an instrument like a piano or guitar and that one person hits two notes,
it’s NOT monophonic)
VARIETY OF TEXTURES - MONOPHONY
Modern Example
Whitney Houston - I Will Always Love You
VARIETY OF TEXTURES - HOMOPHONY
Homophony – Multiple lines do the same things (move up or
down together, play at the same time) but are on different
pitches
One line assisting another – dependent on each other
If singing, words occur at the same time
VARIETY OF TEXTURES - HOMOPHONY
Modern Examples
Jason
Aldean & Kelly Clarkson “Don’t You Want to Stay?”
Fun “Some Nights”
VARIETY OF TEXTURES - POLYPHONY
Polyphony – two melodic lines that are independent of each
other
Lines are NOT dependent on each other – different things
happening at once
VARIETY OF TEXTURES - POLYPHONY
Modern Examples
Jason Mraz “I’m Yours”
NSYNC “Tearin Up My Heart”
EMPHASIS ON THE TEXT – WORD PAINTING
Vocal music becomes increasingly intent on expressing text
Word painting: enhances the meaning and emotion of written
text by “painting” the words in the music
Examples:
on the word “high” would sing a high note; if singing about a
descent, the notes would go down, etc.
MODERN WORD PAINTING EXAMPLES
Garth Brooks: “Friends in Low Places”
Listen:
Justin Timberlake: “What Goes Around”
Listen:
http://youtu.be/p29wEZSwUVM?t=45s
http://youtu.be/NIaiXmm1H0o?t=1m35s
TONS of examples in popular music!
EMPHASIS ON THE TEXT - IMITATION
Polyphonic music included a lot of imitation
Imitation: an exact or near exact repeat in another voice/part.
Similar to an echo, but the parts overlap
Similar
to singing in a “round”
MODERN IMITATION EXAMPLES
Jason Mraz & Colbie Callet: “Lucky”
Coldplay: “Paradise”
SACRED MUSIC & COMPOSERS
SACRED MUSIC
The Papal chapel continued as one of the central musical forces
in Europe
Giovanni Pierluigi da Palestrina (1526-94)
Director
of Julian Chapel Choir from 1551-1555
Then became a singer in the choir
Began to compose for the papal chapel
Because he was married, he was forced to leave his post
Pope
Paul IV imposed a stricter discipline in choral appointments
PALESTRINA
Exclusively vocal and almost totally liturgical
Wrote 105 masses and became the most celebrated composer
of his time
Most famous piece: Pope Marcellus Mass
Pope
Marcellus was pope when Palestrina sang in the choir
PALESTRINA – POPE MARCELLUS MASS
Polyphonic texture
Lots of imitation
Written for 6 voices a cappella (without instruments)
Each section ends with all voices coming together on
sustained chords
PALESTRINA – POPE MARCELLUS MASS
PALESTRINA – POPE MARCELLUS MASS
Listen and follow music
http://www.youtube.com/watch?v=3n8XdKkrqgo
SECULAR MUSIC
SECULAR MUSIC – THE MADRIGAL
Madrigal: setting of lyric poetry for multiple voices
Secular music written for multiple parts
Existed during an explosion of Italian poetry
Normally comprised a text of 3-14 lines arranged in a rhyme scheme
of the poet’s choosing
The musical setting emphasized the mood and meaning of individual
words and phrases of the text rather than formal structure
SECULAR MUSIC – THE MADRIGAL
Composed for anywhere from 3-8 parts
Before 1650, the four part texture was preferred
Often sung by solo voices – one per part
Occasionally, an instrument would substitute for one of the voices or double
a part
The Madrigal was the dominant form of secular music in Italy and the rest of
Europe
FOUR-PART HARMONY IN THE RENAISSANCE
Great independence in the lower lines
It was normal for all parts to imitate each other using measured
rhythm
Voices came together only at the ends of sections
FOUR-PART HARMONY: EXAMPLES
Renaissance Example: Dufay's “Nuper rosarum flores”
The “Barbershop Quartet”
Crossroads
- 2009 International Champion
Christmas Carol
Carol
of the Bells
JOSQUIN DES PREZ
1440-1521
Trained in Milan, Rome, and Florence
Compared to Michelangelo, in music
“father
of musicians”
Wrote about 70 secular songs of a light, homophonic nature
JOSQUIN DES PREZ
Wrote his masses polyphonically
Imitation was a huge structural feature
New idea – he would repeat sections of music
An
opening section (A) would be followed by new material (B) and then
restated in the third section (A)
ABA Form
JOSQUIN DES PREZ
Ave Maria… Virgo Serena
A short melodic phrase begins in the soprano voice
Then the alto, tenor, and bass voices imitate the soprano line
The next line of text employs a different melody, again with imitation
Each voice enters in the middle of the phrase by the previous voice
Some changes in meter, some agitation at certain phrases to reflect the text
INSTRUMENTAL MUSIC
INSTRUMENTAL MUSIC
Musical instruments rose above their old role of merely reinforcing
voice parts, and instrumental music finally developed an
independence from vocal music in the late part of the Renaissance
Previously, instruments tended to accompany voices or to play music
originally intended for voice
In the 16th century, more music was written for instruments by
themselves, and music was written to exploit the qualities of
individual instruments
INSTRUMENTAL MUSIC –INSTRUMENTS
Soft, indoor instruments:
Loud, outdoor instruments:
Lute
Recorder (early flute)
Trumpet
Shawm (similar to today’s oboe)
The same work might be played my multiple combinations of instruments
Composers didn’t specify what group of instruments they wanted to play, just how many
parts
The same piece could be played by a recorder, trumpet, and harp, and then later by a lute,
shawm, and organ.
INSTRUMENTAL MUSIC - EXAMPLE
Greensleeves – Renaissance Version
http://www.youtube.com/watch?v=AVWhxoIkHtY&feature=related