Transcript Excerpts from the Book -

Guitar Instruction
An Introduction to the Guitar
Part I
Part III
The Guitar /An Overview
Coordinating our
Hands to Play
Part II
Your Instructor
Anthony Granata
The Notes of the Fretboard
Part IV
First Steps in Theory
Mr.
About This Book
This book was written as an introduction to the Guitar, It proceeds from the paradigm
(belief) that the reader knows nothing about the instrument. It is a practical hands on
guide, in which various types of Guitars are identified, individual parts of these guitars
are named, similarities of the types are compared, and differences are noted.
The book covers various tuning methods as well as the proper holding of the instrument
as well as the hand position of the left and right hands. The book presents music-theory
in a visual graphical-representation as much as possible. With the belief that a picture is
indeed worth a thousand words. One such example of this is the Keyboard pattern
depicting the twelve tone music system. Learning where the notes fall on the Fretboard
has traditionally been a daunting task for new guitar players. We believe by presenting
these notes on the keyboard first, where they have been quickly-identified, this task is
daunting no longer.
One of the biggest hurdles for new guitar players is hand coordination,. We believe it
makes no-sense to start learning how to read music while at the same time, not being
able to physically play the notes on the Fretboard, .With this belief we have compiled
many different finger exercises in this book, to help strengthen and coordinate the hands
to play.
Intervals, are the building blocks of scales and chord construction. With this fact being
the case, a considerable amount of time has been spent on discussing them within this
book. If you are a new guitar player or you where thinking about learning and never put
your thought into action, This book is for you! I hope you enjoy this book as much as I
enjoyed putting it together. Sincerely, Anthony Granata
The Right Forearm and Hand Position
The right forearm rests on the top of the Guitar, and is set at a 45 degree angle with the right hand over the strings – for
support-if needed, you may place your right pinky on the guitar an inch below the first string which is the E. The
pick is the only thing that should be touching/hitting the string/strings. Lets take a close look at the illustrations below.
Pay particular attention to the position of the elbow/forearm as well as the right hand position in the illustrations.
The Notes of the Fretboard
Part II
What I believe to be the best and easiest way to learn the notes of the Fretboard and
how they are position on the Guitar–is not to start with the Fretboard at all, but the
Keyboard / Piano.
Western Music 12 tone System
In western music we use a 12 tone music system, lets identify these tones as they appear on the
Piano first and then on the Guitar.
If you look at the image of the keyboard closely , you will see that the keyboard has a certain
organization of black and white keys. In fact, in each repeating unit of keys their are 5 black
keys and 7 white keys. (7+5) = 12 Yes? Yes!
The Guitar Fretboard a Closer Look
Open Strings
Before we go into the other basic finger exercises, I would like to spend a couple of
minutes speaking about where your fingers should be landing when they come in
contact with the strings.
For these finger exercises in this section, the area in between the black bars
(left slide) is where your fingers should be making contact with the strings.
There will be times particularly with bar chords and certain types of arpeggio’s
when we will use, the flat area of our fingers as shown on the (right slide)
between the red bars. But for right now all the finger exercises that I am about to
present to include the one we just covered, --the area between the black bars is
where your fingers should be coming in contact with the strings. Ok, Moving
Forward
The next finger exercise is called 2-4, here we will use our middle finger and
pinky
Here we are going to start on the first string ,
first fret with our middle finger; and then
suppress the first string 3rd fret with your
pinky.
Then you will go to the second string, and do
the same thing, you will do this for the 3rd 4th
and 5th strings until, you have reached the 6th
string third fret with your pinky finger. –
At that point the pinky finger is then lifted up,
and your middle finger will slide to the 6th
string second fret, - we then will work our way
down,
Until we reach the First String – 3rd fret with
our pinky finger , then our pinky finger is raised
up and our middle finger will slide to the 3 fret
and we will work or way up.
This exercise is also repeated to the 12th fret.
C
Degrees
1st
D
E
2nd
3rd
F
G
4th
C major scale
CMajor
I
Tonic
A
5th
6th
B
C
7th
8
C major scale harmonized
Dminor
ii
supertonic
Eminor
iii
mediant
FMajor GMajor
IV
V
Subdominant
Dominant
Aminor
vi
submediant
Bdim-5
vii
leading tone
B diminished vii chord
The Arpeggio ‘s
The word arpeggio is an Italian word which means the production of tones of
a chord in succession. So in other words an arpeggio is the notes of the
chord played one at a time. In the previous pages we have been given the
diatonic chords of the key of C major. What we are going to do now is to learn
the basic arpeggios for each of them. The patterns we are about to learn
should be practice with the respective chord first and then if you like, you may
try different arpeggios with different chords.
(The fingers you use is indicated in the diagrams)