Transcript POWERPOINT JEOPARDY

Elements
Baroque
HIP
Vocal
Musical
Expression
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Question 1 - 10
• The aural quality of various instruments or
voices.
Answer 1 – 10
• Timbre
Question 1 - 20
• Marks the passage of time by means of a
regularly underlying pulse or beat. Examples
include “duple” and “triple.”
Answer 1 – 20
• Meter
Question 1 - 30
• The succession of individual pitches which
create a single line of music.
Answer 1 – 30
• Melody
Question 1 - 40
• The way we organize a piece of music into
sections. One example of this is “ternary,” and
can be heard in Handel’s da capo aria, “Rejoice
greatly…”
Answer 1 – 40
• Form
Question 1 - 50
• The pattern of musical movement through
time. The interchange of whole notes, half
notes and eighth notes, for example, form this
musical element.
Answer 1 – 50
• Rhythm
Question 2 - 10
• The time period previous to the Baroque era
(1600-1750), characterized by humanism.
Answer 2 – 10
• Renaissance
Question 2 - 20
• Handel’s “Messiah,” is an example of this
genre of music, not to be confused with
opera.
Answer 2 – 20
• Oratorio
Question 2 - 30
• Bach, Handel and Vivaldi wrote music during
this century.
Answer 2 – 30
• 18th century
Question 2 - 40
• This Handel oratorio is based on New
Testament text.
Answer 2 – 40
• Theodora
Question 2 - 50
• The Drury Theatre was one of the
performances venues of this 18th century
Baroque city.
Answer 2 – 50
• London
Question 3 - 10
• These instruments are used to help create
“authentic” Baroque performances. Examples
include the harpsichord and the baroque
flute.
Answer 3 – 10
• Period Instruments
Question 3 - 20
• When did the HIP movement begin?
Answer 3 – 20
• Around the 1970s
Question 3 - 30
• These individuals became interested in asking
and answering questions such as, “can we
ever truly hear a piece of music as it sounded
in the 18th century?”
Answer 3 – 30
• Musicologists, music performers, etc.
Question 3 - 40
• State at least 4 musical considerations of HIP
Answer 3 – 40
• Musical considerations such as
– Venue
– Timbre
– Period instruments
– Gender
Question 3 - 50
• Name at least two sources that were
consulted in an effort to have HIP.
Answer 3 – 50
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Manuscripts
Treatises
Primary Source material
Paintings
Question 4 - 10
• A passage of several notes sung to one syllable
of text
Answer 4 – 10
• Melisma
Question 4 - 20
• A style used in operas, oratorios, and cantatas
in which the text is declaimed in the rhythm of
natural speech with slight melodic variation
and little orchestral accompaniment.
Answer 4 – 20
• recitative
Question 4 - 30
• This vocal solo is prevalent in operas and
oratorios and is in ternary form
• An Extra 2 points will be rewarded if a title can
be given as an example.
Answer 4 – 30
• Da capo aria
• “Rejoice greatly…”
Question 4 - 40
• The text of a dramatic musical work, such as
an opera.
Answer 4 – 40
• Libretto
Question 4 - 50
• Vocal parts such as soprano, alto, tenor and
bass divide show divisions based on this
musical element
Answer 4 – 50
• Register
Question 5 - 10
• Terms used to identify different intensities of
musical pitches
Answer 5 – 10
• Dynamics
Question 5 - 20
• The speed at which music is performed.
Consider the differences associated with
adagio and presto.
Answer 5 – 20
• Tempo
Question 5 - 30
• This type of technique was used by composers
to help express certain emotions behind
words such as in “Racks, Gibbets, swords, and
fire.”
Answer 5 – 30
• Word painting
Question 5 - 40
• Vivaldi’s Four Seasons is an example of this
type of story telling or musical expression
found in instrumental music from the Baroque
era.
Answer 5 – 40
• Program music
Question 5 - 50
• Major and minor keys are how we
characterize this element of music
Answer 5 – 50
• Tonality