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Islamic art is the most
accessible manifestation of a
complex civilization that often
seems enigmatic to outsiders.
Through its brilliant color and its
superb balance between design
and form.
It started in the 7th century and its
location was first in parts of Asia Europe,
and North Africa.
The traditions laid down by Islam created
devout, paintstaking craftspeople whose
creative purpose was the glory of god.
It help us find our architectural roots
and remain true to our identity. In a
direct sense culture identity and
philosophy within a physical context.
Nearly all Islamic buildings have some
type of surface inscription in the stone,
stucco, marble, mosaic and / or
painting. The inscription might be a
verse from the Qur’an, lines of poetry,
or name and dates.
Certain architectural features have
become fixed and eternal. In this
modern world, they help us find our
architectural roots and remain true to
our identity.
Islamic arts views the depiction of
living beings: particularly people, as
a potentially blasphemous attempt to
rival the creative powers of god and
such pictures are religiously
excluded from most religious
settings.
The Mamluk sultans established a formidable empire, ruling Egypt, Syria,
and Palestine for more than two hundred and fifty years, their frontiers
extending from southeatern Anatolia to the Hijaz and incorporating parts of
Sudan and Libya. Soon after coming to power, they defeated the Mongols
and expelled the last of the Crusaders from the near east. Trade and
agriculture flourished under Mamluk rule, and Cairo, their capital, became
one of the wealthiest cities in the Near East and the center of artistic and
intellectual activity. It also became the seat of the caliphate and, thus, the
most prestigious capital in the Islamic world.