Transcript File

LANDMARKS
IN HUMANITIES
Chapter 7
Rebirth: The Age of the Renaissance
ca. 1300–1600
Transition: Medieval to Renaissance
2

The Black Death
 Killed
one-third to one-half of population
 Four
waves between 1347 and 1375
 Brought by flea-bearing rats on commercial vessels
 Hit towns hardest
 Enormous psychological and economic damage
 Economic
benefits to those who survived
 Increased
 Climatic
jobs; more bargaining power
disasters; revolt against feudal overlords
 Demise
of feudal order
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Transition: Medieval to Renaissance
3

The Rise of Constitutional Monarchy
 Magna
Carta (“great charter”)
 Middle class invited to participate in the Great
Council (Parliament)
 First

example of representative government
The Hundred Years’ War
 Dispute
over English claims to continental lands,
the French throne
 First
use of gunpowder
 Joan of Arc
 Major blow to feudalism
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Transition: Medieval to Renaissance
4

The Decline of the Church
 Avignon
Papacy (1309–1377)
 Papacy
relocated from Rome to Avignon, France,
in response to political pressure from French king
 Unsavory efforts at financial and political
aggrandizement


Simony
Indulgences
 Great
Schism (1378–1417)
 Rift
between French and Italian cardinals led to election
of two popes, who excommunicated each other
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The Arts in Transition
5

The Arts in Transition
 Social
realism: objective attention to human
society and social interaction

Boccaccio
 Decameron


Secular entertainment; realistic
Christine de Pisan
 First
feminist writer
 Book of the City of Ladies

Attack on misogyny; defense of female right to education
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The Arts in Transition
6

Chaucer
 Master
of fourteenth-century vernacular literature
 Canterbury Tales
 Versified
human comedy
 Characters with individualistic personalities

Giotto’s New Realism
 Introduced
natural and lifelike style
 Weighty,
robust figures
 Gradations of light and shade (chiaroscuro)
 Lamentation over Jesus
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The Arts in Transition
7

The Ars Nova in Music
 Increased
rhythmic complexity and aural
expressiveness
 Isorhythm
 Syncopation
 Guillaume
 Messe

de Machaut
de Notre Dame
Unified Mass into single polyphonic composition
 Numerous

secular works
Ballades
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The Italian Renaissance
8

The Italian Renaissance
 Movement
to recover culture of Classical antiquity
began in Italy
 Appealed
 Italian
city-states independent, competitive
 Papacy

to secular interests of rising merchant class
did little to unify rival city-states
The Medici
 Wealthy
banking family that ruled Florence for
four generations
 Great
patrons of scholarship and the arts
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The Italian Renaissance
9
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Renaissance Humanism
10

Renaissance Humanism
 Classical
humanism: the revival of Greco-Roman
culture; major feature of Italian Renaissance
 Secular
in nature
 Used Classical authority for basis of new appraisal of
individual in the world order
 Different
from other revivals
 Not
as foundation of faith, but as rational guide to
human fulfillment
 Attracted broad base of support
 Studia
humanitatis
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Renaissance Humanism
11

Petrarch: “Father of Humanism”
 Devoted
life to recovery, copying, and editing of
Latin manuscripts
 Revived epistolary tradition
 Deeply
influenced by Cicero, Augustine
 Canzoniere
(Songbook)
 Conflict
between Christian will to believe and Classic
will to reason
 Perfected the sonnet
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Renaissance Humanism
12

Ficino: The Platonic Academy
 “Golden
Age”
 After
fall of Constantinople, Greek manuscripts and
Byzantine scholars poured into Italy
 Ficino
translated entire body of Plato’s writings
 Platonic Academy in Florence founded
 Popularized
idea that platonic (spiritual) love attracts
the soul to God

Became major theme among Renaissance poets and
painters
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Renaissance Humanism
13

Pico della Mirandola: The Dignity of Man
 Sought
“unity of truth” in all philosophic thought
 Oration on the Dignity of Man
 “Manifesto


of humanism”
Argued for free will and the perfectibility of the individual
Castiglione: The Well-Rounded Person
 The
Book of the Courtier
 L’uomo


universale: the well-rounded person
Men must influence those who rule
Women must entertain men of the court
 Focus
on manners, not morals
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Renaissance Humanism
14

The Printing Press
 Johann
Gutenberg perfected movable-type
printing press in 1450
 Gutenberg
Bible, 1455
 Revolutionized
learning and communication
 Information
became commodity for mass consumption
 Books readily available to public
 Facilitated rise of popular education
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Renaissance Humanism
15

Machiavelli and Power Politics
 Diplomat
and statesman; critic of societal realities
 Lamented
 The
Italy’s disunity, rivalry among city-states
Prince
 Political
treatise; called for unification of Italy under
powerful and courageous leader
 Need for strong state justified strong rule


If necessary must sacrifice moral virtue
Mastery of power politics can ensure survival of the state
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Early Renaissance Art
16

Early Renaissance Art
 Two
periods:
 Early

Centered in Florence
 High

 New
Renaissance (ca. 1400–1490)
Renaissance (ca. 1490–1520)
Centered in Rome and Milan
sources of patronage
 Enhanced
 Artist
social, financial status of artists
as hero and genius
 Vasari,
The Lives of the Most Excellent Painters,
Architects, and Sculptors
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Early Renaissance Art
17

Early Renaissance Architecture
 Devoted
to architectural principles laid out by
Vitruvius Pollio
 Human
proportions mirror the universal order
 Brunelleschi
 Designed
dome of Florence Cathedral
 Defended Classical principles of symmetry and design

Pazzi Chapel
 Alberti
 Shared
enthusiasm for harmonious proportions
 Ten Books on Architecture
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Early Renaissance Art
18
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Early Renaissance Art
19

Early Renaissance Painting
 Attempted
to recreate “look” of nature through
various illusionistic techniques
 Introduced scientific methods for the
representation of objects in space
 Linear
(one-point) perspective
 Brunelleschi’s
laws of linear perspective
 Manner
in which parallel lines in a given visual field
appear to converge at a single vanishing point on
the horizon
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Early Renaissance Art
20
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Early Renaissance Art
21
 Masaccio
 First
to master linear perspective
 Frescoes for churches in Florence

The Tribute Money
 Botticelli
 Birth


of Venus
Tribute to physical and spiritual beauty
Neoplatonic ideas
 Goddess of earthly and divine love
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Early Renaissance Art
22

Early Renaissance Sculpture
 Donatello
 David

Classical in proportion and stance, yet seductive and
sensuous
 Celebration of the physical, secular world
 Ghiberti
 “Gates

of Paradise”
Bronze Relief panels on Florentine Baptistery of San
Giovanni
 Linear perspective, humanized figures
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Early Renaissance Art
23
 Verrocchio
 Sculpture

of likeness of Lorenzo de’ Medici
Renaissance portraiture was hallmark of new
self-consciousness and growing civic pride
 Equestrian


statue of Bartolommeo Colleoni
Recalls Roman statue of Marcus Aurelius
Scientific naturalism; anatomical detail
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High Renaissance Art
24

High Renaissance Art
 Grand
Style
 Scientific
illusionism combined with Classical design
principles
 Artistic

activity moved to Rome
High Renaissance Architecture
 Bramante:
 Modeled
 Palladio,
on the Classical tholos
Four Books on Architecture
 Symmetry

Saint Peter’s Cathedral
and centrality controlling elements
Villa Rotunda, Vicenza, Italy
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High Renaissance Art
25
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High Renaissance Art
26

Leonardo da Vinci
 Scientist,
artist, mathematician, composer,
inventor
 Exalted
importance of empirical study to discover
general rules of nature
 Mona
Lisa
 “Lifelike”;
 Last
outdoor setting
Supper
 Fusion
of narrative and symbolic content to achieve an
ordered, grand design
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High Renaissance Art
27

Raphael
 Compositions
notable for clarity, harmony, and
unity of design
 The Alba Madonna
 The School of Athens
 The
great philosophers and scientists of ancient
history
 Epitome of the Grand Style: spatial clarity, decorum,
balance, unity of design, and grace
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High Renaissance Art
28
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High Renaissance Art
29

Michelangelo
 David
 Renaissance
 Sistine
Chapel
 Creation

ideals of terribilitá and virtù
and Fall of Humankind
Maximized grandeur of figures
 Creation
 Dome
of Adam
of St. Peter’s
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High Renaissance Art
30
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High Renaissance Art
31

The High Renaissance in Venice
 Art
of color and light
 Favored
oil medium
 Titian
 Venus

of Urbino
Style became definitive expression of High Renaissance
painting
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Renaissance Music
32

Renaissance Music
 More
secular music committed to paper
 Music composed by professionals and amateurs
 Virtuosity in performance: hallmark

Josquin des Prez
 Flemish
composer; “the prince of music”
 Unified
polyphonic Mass around single musical theme
 Word painting: Attention to relationship between words
and music
 Ave Maria
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Renaissance Music
33

The Madrigal
 Composition
for three to six unaccompanied
voices
 Usually polyphonic; often included playful
imitation and word painting
 Functioned as popular entertainments
 Leading composers Flemish
 Adrian
Willaert
 Roland de Lassus
 Maddalena Casulana
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Renaissance Music
34

Instrumental Music
 Music
for solo instruments popular; lute was a
favorite
 Wrote music for small organs, the clavichord, and
the harpsichord
 Instrumental compositions began to regularly
appear
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Renaissance Music
35

Renaissance Dance
 First
efforts to establish dance as independent
discipline
 Guglielmo Ebreo
 Importance
of grace, memorization of fixed steps,
coordination of music and motion

Balli
 Three
favorite forms of Italian court dance:
 Basse
 Saltarello
 Piva
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Beyond the West:
The Glories of the Ottoman Empire
36

The Glories of the Ottoman Empire
 Ottoman
Empire marked last great age of Muslim
world power
 Under Suleiman, left cultural landmarks
comparable to European Renaissance
 Centrally-planned
mosques, public baths, palaces
 Golden Age of literature and arts
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