Transcript La Bamba
La Bamba
Authentic Culture
In Lak’ech
Neo-Valdezian Cyclical Time
Bob as the source
of authentic culture
Associated with icons: motorcycle (an Indian),
snake imagery, tatoo (symbolic of Jesus
Christ), leather—signs of working-class
masculinity.
Fusion of three characters: Pinto, Aztec Warrior
and Pachuco.
Vehicle for the Southern migration: northern
California, San Fernando Valley, Mexico—
Similar to mythic Aztec migration from Aztlan to
Tenochtitlan.
Vehicle for Authentification: language, (speaks
Spanish) culture (through his Tata) music.
Bob as authentic culture, cont.
Agent for the rediscovery of Mexico.
Knows Spanish, resists Anglocizing
Richie’s name (Valenzuela to Valens).
Problematic for three reasons: pathological
relationship with women may be
regarded as normal, culture is viewed as
static—romanticizes folkloric aspects,
and In-between”ism”(Bob) (Chicano)
as deviant and pathological
Aspects of In Lak’ech
“Tu eres mi otro yo” You are my other me.
Bob as problematic/deviant: drugs, alcohol, abuse of
women, gang affiliation, aimless and without
responsibility, rebellious, envious, the “evil other.”
Richie as the good boy: school age, connected to family,
responsible, shares newfound wealth, famous,
conformist, likable (for mainstream audiences), clean,
as a symbol for assimilation (through music and
Donna).
Bob as Tezcatlipoca (Azttec/Toltec God of War and Sun),
negative attributes.
Richie as Quetzalcoatl (Universal symbol of the Feathered
Serpent God—renewal, rebirth, culture and spring.
Neo-Valdezian
Cyclical Time
Richie’s nightmare of plain crash—foretells
his death at the peak of his popularity.
The snake talisman: symbol of rebirth, renewal—
comes to Bob before the crash
Richie’s rebirth through: association with Bob,
spiritual and cultural rebirth, in the southern
migration.
Richie’s rebirth occurs simultaneously with the
birth of Bob’s daughter (Brenda)—Bob’s
restoration.
Bob and Richie: their relationship normalizes
toward the end.