Transcript Document
BEDRICH SMETANA
1824-1884
Biography
Czech composer
Born in Litomsyl
Composer and conductor
One of the founders of the Czech
nationalist movement.
learned violin from his father, an amateur
violinist
My country
Consists of six symphonic poems describe
several aspects of Bohemia
Each of these is a complete work that can
be played seperately,
The entire cycle is so organized and well
planned that they can also be played in a
continuos sequence, as a monumental
single work in six huge movements
Vltava (Moldau)
...the composition depicts the course of the river from its beginning, where
two brooks, one cold the other warm, join in a stream that runs through
forests and meadows; and the lovely countryside where merry feasts and
gay festivals are being celebrated; by the light of the moon a dance of
water nymphs; on the nearby cliffs proud castles, mansions and ruins rise
up; the Vltava swirls in the St. John rapids, flows in a broad stream as far
as Prague, passes Vysehrad and disappears into the distance where it
unite with the Elbe...
Smetana
Additional notes were made in the score to
indicate the course of the river as it winds its way
southward from the Sumava Mountains, through
central Bohemia and Prague to unite with the Elbe
at Melnik.
Eight episodes
First and second sources flowing into the
Vltava itself (E minor)
Forest and hunting (C major)
Rustic village wedding (G major)
Moonlight and dance of water sprites or
nymphs (A major)
Vltava returns (E minor)
St. John rapids (E major)
Vltava flows in broad stream (E major)
Vltava salutes Vysehrad and flows by (Emajor)
Characteristic of the Moldau
Programmatic, each poem deals with a different
programme.
cyclic
Subject:
history,
descriptions of past glories,
the prophecy of a better future,
the evocations of scenery,
landscapes
the people who dwell there.
The contrasting subject matter was emphasized by
varying the instrumentation in each movement.
Vltava is the most colourful where harp and
woodwind combine in a graphic picture of the
great river.
Texture:
Smetana develops a polyphony that doesn't exist in his
operatic music. Double and triple counterpoint occur in
Vltava during the section of St. John's rapids.
Rhythm
Rhythms are irregular if compared to earlier works.
Multi-rhythmic patterns: No less than four different
rhythmic units are presented simultaneously by Vltava's
water sprites.
Resources
http://www.dlib.indiana.edu/variations/scores/bfk4093/i
ndex.html
http://www.geocities.com/Tokyo/Palace/5825/moldau.ht
m
http://www.mhhe.com/socscience/music/kamien/student/
olc/61.htm
http://www.mhhe.com/socscience/music/kamien/student/
olc/chapterindex04.htm
http://www.essentialsofmusic.com/composer/smetana.ht
ml
http://w3.rz-berlin.mpg.de/cmp/smetana.html
http://www.fordham.edu/halsall/mod/NATMUSIC.html