ELIZABETHAN THEATRE
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Transcript ELIZABETHAN THEATRE
ELIZABETHAN
THEATRE
Development of the
Elizabethan Theatre
Medieval Stagecraft
Protestant Reformation
Tudor Pageantry
Renaissance Learning and Ideas
Influence of Medieval Theatre
Eager audience
Established tradition of theatre and
actors
MYSTERY AND MORALITY
PLAYS:
Mixing of high seriousness and
low comedy
FOLK PLAYS:
Pagan remnants: fairies and
sprites
Feast of Fools
INTERLUDES:
Humanistic debates
The Tudors
Victorious in the Wars of the Roses, Henry Tudor defeated
Richard III, married Anne of York, and became Henry VII
HENRY VII ---- Anne of York
Arthur -- Catherine -- HENRY VIII Margaret -- James IV Mary-of Aragon
of Scotland
Louis XII
of France
Henry VII
1485-1509
Henry VIII
1509-1547
Edward VI
1547-1553
Lady Jane Grey
1553-1553
Mary I
1553-1558
Elizabeth I
1558-1603
The Protestant Reformation
Elizabeth (ruled 15581603) worked out a
compromise church that
retained as much as
possible from the Catholic
church while putting into
place most of the
foundational ideas of
Protestantism.
Mystery and Morality
plays were outlawed as
they taught Roman
Catholic doctrine
1588: Defeat of the Spanish Armada
The disgrace to Spain greatly damaged its prestige
England's star was on the rise.
Elizabeth took the defeat of the Armada as a sign of divine
blessing
English patriotism and devotion to the Queen soared to its
greatest heights, shown in part by a profusion of literature
that included Shakespeare's first plays--patriotic histories of
the English monarchy.
Tudor Pageantry
A hybrid dramatic form of
literature, ritual, and politics,
Royal entries and aristocratic
entertainments -- fashionable
literary forms were turned to the
service of national propaganda
Pageants
Full of spectacle:
Parades music, dance, elaborate
Masques staging, fireworks
Composed by the bright young men
who haunted the court in hopes of
securing political office.
Renaissance
Rebirth of Classical knowledge and ideals
Roman theatre as model
Humanistic Ideas
Universities
Oxford
Cambridge
Inns of Court
Influence of Roman Theatre
5 act structure
Comedy: Plautus and
Terence
Plots
Stock characters
Tragedy: Seneca
Revenge motif
Irony
Use of ghosts
Violent spectacle
Elizabethan Stock Characters
Senex: old man in authority
Miles gloriosus: braggart soldier
Shrew: sharp-tongued woman
Clever servant
Machiavel: political schemer
“Calumniator believed” : a liar who is believed
Idiotes: a malcontent
Parasite: a “moocher”
Pedant: in love with the sound of his
own didactic voice
Young Lovers
Fools and clowns
Early Senecan Tragedies
Gorbuduc by Thomas Sackville and
Thomas Norton
The Spanish Tragedy by Thomas Kyd
Play within a play from
The Spanish Tragedy
Humanism:
from Morality to Chronicle
It was the aim of the humanists to educate those
who ruled in wise and virtuous government.
How do you teach a king? Very tactfully . . .
The effectiveness of the morality play was attractive
to humanists, who changed the nature of the moral
from religion to political virtue without changing
the techniques of the drama.
Theatre was a natural medium for the humanists to
use in educating the king, for plays were frequently
performed at Court.
Chronicle or History Plays
Explore the workings and legitimacy of kingship
What is a good King?
Historical exemplars (Lear, Macbeth, Julius Caesar)
Often turn into tragedies
University Wits
University-educated playwrights, noted for their
learning and clever language
George Peele (1556-96)
Thomas Lodge (1558-1625)
Thomas Nashe ( 1567-1601)
Robert Greene (1560-92): best known
as first Shakespearian critic
John Lyly (1554-1606)
MA from Cambridge
Established blank
verse as dramatic
medium: “Marlowe’s
mighty line”
Overreacher
Tragedies:
Tamburlaine
Dido Queen of
Carthage
Dr. Faustus
Edward II
Massacre at Paris
Jew of Malta
Killed in a brawl
Christopher
Marlowe
1564-93
Ben Jonson
1572-1637
Educated at
Westminster School -no university but the
most learned of
playwrights
Important comedies of
humor include: Every
Man in His Humor,
Volpone, The Alchemist,
Bartholomew Fair
Wrote and staged court
masques with Inigo
Jones
Celebrated poet and
conversationalist:
“Sons of Ben”
Acting Companies
1590 -- 1642: approximately 20 companies of actors in
London (although only 4 or 5 played in town at one
time)
More than a hundred provincial troupes.
Companies usually played in London in the winter
and spring and to travel in the summer when
plague ravaged the city
Members:
Shareholders
Apprentices
Hired men
Boy Actors
No women on the English stage in Shakespeare's day.
The parts of women were acted by child actors--boys whose
voices had not yet changed.
Whole acting companies were created with child
performers: the Children of the Chapel Royal, and the St.
Paul's Boys. The children's companies played regularly at
Court.
The Puritans, who disapproved of the theatre in general,
were particularly scandalized by boys cross-dressing as
women.
Censorship
Largely Puritan leaders
of the City of London
disapproved of the
theatres.
The Privy Council was
wary of the political
comment often present
in topical plays.
Censorship under the
direction of the Master
of Revels was strict.
In 1596 the City
Corporation ordered
the expulsion of players
from London and the
closing of the inntheatres.
Theatres moved across
the River
Types of Plays
Chronicle or History
Plays
Comedies
Romantic
Pastoral
Social
Humors
Tragedies
Senecan Revenge
De casibus -- turn of
Fortune
Fatal flaw
Romances
far-away adventures
Any combination of the
above
“The best actors in the world, either for tragedy, comedy, history,
pastoral,pastoral-comical, historical-pastoral, tragical historical,
scene individable or poem unlimited.” -- Hamlet
William Shakespeare
April 23, 1564-April 23, 1616
Born in Stratford-upon-Avon
Married Anne Hathaway in 1582
at age of 18
3 children: Susanna (1583) and
Hamnet and Judith (1585)
1585-92: “the lost years”
1595 record of membership in
Lord Chamberlain’s Men
17th-century LONDON
from a view by Claes Jansz Visscher
Early Works: prior to 1594
History Plays:
Henry VI: 1,2,and 3
Richard III
Poetry: Venus and Adonis, The Rape of Lucrece, sonnets
Plautine Comedy:
A Comedy of Errors
Courtly Comedy:
Two Gentlemen of Verona
Farcical/problem Comedy:
The Taming of the Shrew
Senecan Revenge Tragedy:
Titus Andronicus
Romantic Tragedy:
Romeo and Juliet
Lord
Chamberlain’s Men
Originally formed under the patronage of Lord Strange,
but when he died in 1594, the players found a patron in
Henry Carey, the Lord Chamberlain.
Performed at the Theatre and the Curtain
1599 moved to the newly built Globe. By 1600 they had
emerged as the leading theatrical company in London
1603 became the King's Men under a royal patent from
James I. The company continued successfully until the
Puritans closed the theatres in 1642.
The Globe
Built by the Burbages in 1598
for the Lord Chamberlain’s
Men
Burned down in 1613 during
production of Henry VIII
Rebuilt 1614
The New Globe: opened 1997
Blackfriars Theatre
Theatre
Interiors
Sketch of the Swan Theatre
Popular Success: 1595-1600
Comedies:
Love’s Labour’s Lost
A Midsummer’s
Night’s Dream
Much Ado About
Nothing
As You Like It
Twelfth Night
The Merchant of Venice
Merry Wives of Windsor
Histories:
King John
Richard II
Henry IV:
1,2
Henry V
Tragedies:
Julius
Caesar
Hamlet
Anne Hathaway’s Cottage
Stratford
New Place, Stratford,
from a print of 1880,
purchased by Shakespeare in
1597
A Darker Vision: 1601-1607
Problem Plays:
All’s Well That Ends Well
Measure for Measure
Troilus and Cressida
Tragedies:
Othello
King Lear
Macbeth
Antony and Cleopatra
Coriolanus
Final Works: 1608-1612
Tragedy: Timon of Athens
Romances:
Cymbeline
Pericles
The Winter’s Tale
The Tempest
Collaborations with John Fletcher:
Henry VIII
Two Noble Kinsmen
Shakespeare was buried on April 25, 1616 in Holy Trinity Church,
Stratford, where he had been baptised just over 52 years earlier
Good friend for Jesus sake forbear
To dig the dust enclosed here!
Blest be the man that spares these stones,
And curst be he that moves my bones
First Folio: 1623
The first collected edition of
Shakespeare's plays.
Included thirty-six plays,
eighteen of which had never
been published before
The editors of the volume,
Shakespeare's fellow actors
John Heminge and Henry
Condell, arranged the plays in
three genres: Comedies,
Histories, and Tragedies.
The Tempest