Black and Tan Fantasy 3
Download
Report
Transcript Black and Tan Fantasy 3
Black and Tan
Fantasy 3
Duke Ellington
Learning Objectives
To learn some jazz vocabulary
To study the instrumentation and structure of the Black & Tan
Fantasy
Line-up
Duke Ellington: Piano
Bubber Miley & Louis
Metcalf: Trumpet
Joe “Tricky Sam” Nanton:
Trombone
Otto Hardwick, Rudy
Jackson & Harry Carney:
Saxophones
Fred Guy: Banjo
Wellman Braud: Bass
Sonny Greer: Drums
Vocabulary
Changes
The chord pattern
Head
The main harmonised theme
Chorus
One complete statement of the changes
Break
An unaccompanied solo
Frontline
Solo instruments: tpt, sax, trb
Rhythm Section
Accompanying instruments: piano, banjo,
bass, drums
Reeds
Tpts, Saxes & Trb (i.e. all ww/brass)
Instrumentation/Structure
Section
Frontline
Rhythm Section
1-12
Chorus 1
Head-Intro
Head based on The Holy
City in muted tpt (Miley)
& trb. Some pitch
bending
Accented on-beat
chords. Off-beat piano
chords 4,8,10. Cymbal
crash at end
13-28
Interlude
Sax melody with vibrato
& lots of glissando
Low reed chords. Offbeat damped cymbal
crashes
29-52
Choruses 2
&3
Trumpet solo. Long held
note (how long?). Use of
slide, growls, wah-wah
with plunger mute &
blue notes (find some)
Crotchet chords. Piano
solo overlaps end of
trumpet solo
Instrumentation/Structure 2
Section
Frontline
Rhythm Section
53-64
Chorus 4
Piano solo in stride style
Silent, i.e. this is a break
and very florid RH. Use of
wide range of piano
65-76
Chorus 5
Trombone solo with
plunger & straight mute
in high tessitura with
glissandi, growls & horse
whinny
Simple crotchet chords
77-86
Chorus 6
Trumpet solo using trills,
repeated notes, slides &
growls. How many notes
does he use?
As before + sax at 84
Instrumentation/Structure 3
Section
Frontline
Rhythm Section
87-90
Tpt/Trb in 6ths play the
funeral march
Low sax chords have
repeating cadence
(which type?). Off-beat
cymbal crashes
Structure Summary
Head arrangement i.e. the chord sequence of the head is
used as the basis for the following solos
Often the head is repeated tutti at the end
The head is a 12-bar blues in Bb major/minor
Why is 13-28 not a head?
Comment on the structure of the final chorus
Compare and contrast
Structure
Ellington
Shostakovich Prelude
Holborne Pavane