Chapters 1-2 Power Point
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MONDAY, AUGUST 29
Grab
a book today
Journal
Entry #5:
Discuss one thing you think you
know about the Middle
Ages…anything.
UNIT 2: THE MIDDLE
AGES
450-1450
TIME LINE
450-1000:
Earliest notated Gregorian
chant manuscripts (c. 900)
– Beowolf (c. 700)
– Reign of Pope
Gregory I (590-604)
– Charlemagne crowned
Holy Roman Emporer
(800)
1000-1300:
Troubadours and
trouveres (c. 1100-1300)
– Hildegard of Bingen (c. 1150)
– School of Notre Dame (begun c. 1170)
Beginning of Notre
Dame Cathedral
(1163)
Quick math:
How old is Notre
Dame?
848
– Norman Conquest (1066)
– First Christian Crusade (1096-99)
– Magna Carta signed (1215)
1300-1450:
Guilaume de Machaut –
Notre Dame Mass (c. 1350)
– Dante, The Divine Comedy (1321)
– Chaucer, The Canterbury Tales (13871400)
– Joan of Arc executed by the English
(1431)
THE MIDDLE AGES
The
“Dark Ages”
– War
– Disease
– Migration
3
Classes
– 1. Clergy
– 2. Nobility
– 3. Peasantry
Education
– Monks and boys in monestaries
– Most people illiterate – even Nobility
14th c. Europe – Hundred Years War
(1337-1453), “black death” (bubonic
plague) killed ¼ of the population
– During tumult, two rival popes claimed
authority; everyone was scared and confused.
– Literature such as Chaucer’s Canterbury Tales
stressed graphic realism.
Later: Gothic cathedrals built, towns grew,
universities founded = cultural growth
In General…
Early
Late
Middle Ages = BAD
Middle Ages – BETTER!
MUSIC IN THE MIDDLE AGES
Priests
= most important musicians
Important occupation = liturgical
singing
– Boys vs. girls
Monestary/Convent
Vocal,
some instruments
– Church frowned on instruments
Source
of conflict between composers and
church authorities
– After 1100 – church organ
Earliest
Organs
– Keys operated by heavy pounding of the
fist
– Literally heard for miles
GREGORIAN CHANT
– Official music of the Roman
Catholic Church for the last 1000
years
– Sung, unaccompanied
(monophonic)
– Melody set to sacred Latin texts
Since
Second Vatican Council (1962-1965):
Most Roman Catholic services have been in
native language of each county
Melody can be set:
– 1. Syllabically – one note per syllable
– 2. Neumatically – few notes per syllable
– 3. Melismatically – many notes per syllable
– Today, Gregorian chant less common
– Enhances specific parts of service
– Set atmosphere for prayers/rituals
– Conveys calm – represents the voice of
the church, rather than individual
Rhythm
– Flexible
– Without meter
– Little sense of beat – Rhythm wasn’t
notated
Sounds
like it floats, almost improvisational
Depending on nature of text, may be simple
or elaborate
WHY THIS MATTERS!
For
centuries, composers have
continued to base compositions on
chant melodies.
The same way old Indian trails are
now our Interstate routes and major
highways, Gregorian chant is the
basis for ALL of our music today.
LISTENING TO GREGORIAN
CHANT
Alleluia:
Vidimus Stellam
– gregorian chant
– Books pg. 86
O
Successores
– Hildegard von Bingen
– Books pg. 88
Pope
Gregory I (the Great)
– 590-604
– Reorganized the Catholic liturgy
– Did not create it
– Some came from: Jewish synagogues of
the first centuries after Christ
– Most of the several thousand melodies
known today were created A.D. 6001300
First
melodies passed down by oral
tradition
Eventually notated to ensure musical
uniformity throughout the western
church
Since
Second Vatican Council (19621965):
– Most Roman Catholic services have been
in native language of each county
– Today, Gregorian chant less common
CHURCH MODES
Unique
sound of Gregorian chant is
because of the scales that were used
Scales of the middle ages were
church modes
7 different tones and an eighth tone
to make an octave
Ancestors of modern-day scales
7
Church Modes:
– Ionian
C-C
– Dorian
D-D
– Phrygian
E-E
– Lydian
F-F
– Mixolydian
G-G
– Aeolian
A-A
– Locrian
B-B
HOMEWORK FOR TOMORROW
Create
a timeline of important events
we covered today regarding the
Middle Ages.
– It’s up to you to make it look however
you think it should.
GROUP PRESENTATIONS
Group A: 100 Years War
Bilal Aziz
Aaron Brunnworth
Claire Chandler
Kalyn Moore
Nathan Novak
Group C: Norman Conquest
Taimoor Aziz
Jacob Burns
Andrew Drake
Dominique Flyte
Emma Brown
Group B: Black Death
Kieryn Beyerl
Nick Caban
Phil Kosydor
Ryan Kaminsky
Julian Harvey
Group D: The Crusades
Alec Camp
Blake Noud
Chris Pearson
Anna Stamer