Transcript film noir

Humanities
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Today – Presentations
Wednesday – practice music criticism – bring devices
and headphones
Thursday – Test cards (turned in) – Binder Checks
Friday – Music Test
Monday – Make-up tests
Tuesday – Music Criticism paper – try to bring
headphones and devices
Important – Midterms are posted Wednesday
morning – Any late work?
Please do not move the desks
This is were I
always arrange
them
 Yet all rows end up
pushed to the front
of the room
 Before you are
dismissed each
day, they need to
look like this
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Music Binder
 KET
video notes worksheet with
summary on back
 What do you hear listening guide
worksheet
 Purposes, terms, instruments and
voices ppt. with summary
 Practice Music Criticism worksheet
completed
Presentation expectations
 Pay
full attention to presenter(s)
– Eyes on them
– No talking during the presentation – not
even during their music sample
– Sit up completely
– All devices put away (not on
tables/laps) and silenced
– Ask questions to clarify
American Cinema
 Today
– Continue Casablanca
 Important – Midterms are posted
Wednesday morning
Please do not move the desks
This is were I
always arrange
them
 Yet all rows end up
pushed to the front
of the room
 Before you are
dismissed each
day, they need to
look like this
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Film Noir
“Black Film”
Or
“Dark Film”
Background
The film noir genre was
born from crime films:
 audiences grew bored
with the criminal
protagonist
 wanted more of a hero
during war times
 Lasted from 1945-ish
to 1950-ish (according
to traditionalists)
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Some film noir
films have
criminals and
private eyes, but
not all private eye
or crime films are
film noir.
Darkness of the Setting
Cities:
Mean, nasty places where anything can
happen at any moment
 Violence and crime occur often, usually
randomly
 Sex: strip clubs, bars, sultry women
abound
 Cities are grimy, dirty places with lots of
shadows.
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Darkness of the Setting
Fog:
 Fog obscures, makes things
unclear and unknown
 Fate, mystery, future
Casablanca (1942)
What Lies Beneath (2000)
Water:
 What lies under the water?
 Rarely can the audience see below
the surface of water
 Sometimes choppy and tumultuous
 Film
Lighting
noir uses high contrast lighting with
lots of shadows.
 Sometimes props are the only source of
light
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is called low key lighting.
– Little key lighting (principle source of light)
– Mostly fill light (lights from side or back)
– Comedies & musicals use high key lighting to
create uniform light with little contrast
What do you see
for lighting in this
image of Bogart
from Casablanca
(1942)?
Notice the Brox Sisters
in 1929’s Singing in
the Rain. What do
you notice about the
lighting?
Darkness of Humanity:
It’s a world of paranoia and entrapment
 Male protagonist feels trapped and
overwhelmed by a situation
 Chance plays a larger role than fate
 Heavy use of camera work to show
craziness and entrapment:
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Bars or lines in front or behind character
Tight framing
Odd angles
Slow tracking shots
Backward tracking shots
Femme Fatale
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A “dangerous woman” who traps or pulls the
male protagonist (usually a common, everyday
Joe) into a world of crime and danger
She is sexy, dangerous, often filled with “mad
love,” greed, or jealousy
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Often, one or the other, maybe both, will die.
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AKA – The Spider Woman
– Ensnares the hero in a web of danger, lies and
death
Postmodern Film Noir
Even though film noir died out, it still
exists:
– Small details have been taken from the
classics (symbols, lighting, characters)
– Some feel film noir must be black and
white, others feel that high contrast can
be achieved through vivid colors
Our Movies
 Casablanca
– 1942 – Michael Curtiz
 Chinatown – 1974 – Roman Polanski
The Maltese Falcon
 1941
 John
Huston
 A private detective takes on a case
that involves him with three
eccentric criminals, a gorgeous liar,
and their quest for a priceless
statuette.
Double Indemnity
1944
 Billy Wilder
 An insurance rep lets himself be talked
into a murder/insurance fraud scheme
that arouses an insurance investigator's
suspicions.
 Double indemnity - a provision in a lifeinsurance or accident policy whereby the
company agrees to pay twice the face of
the contract in case of accidental death
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