Transcript Document

Music
Everywhere?
Derek Whitehead
Swinburne University of
Technology
7/20/2015
Presentation to CAUL Sept 2005
1
Background
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Negotiations on the go since April
2002 or before
Agreed in mid-2005
$1.5 million per year if everyone is
in (& another $1.5m for indemnity)
Part of the context is the legal
action over discovery
Presentation to CAUL Sept 2005
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Who uses music?
At Swinburne, music and sound:
 Theatre courses and Circus
 Multimedia and web design
 Film and TV
 Media studies
 TAFE training restaurants
 Music in the workplace
 University events
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Presentation to CAUL Sept 2005
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Why is music complex?
There are layers of copyright
 Lyrics
 Musical works
 Sound recordings
 Performances
 Artistic works and text
accompanying the recording
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Presentation to CAUL Sept 2005
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Collecting societies
Musical work Sound
recording
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Performing
right
APRA
PPCA
Mechanical
right
AMCOS
ARIS
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Who is in?
Everyone except
 UNSW
 Melbourne
 Monash
 Griffith
 QUT
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What the licence covers
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Reproductions
Performance
Communication
Live performances
Music on hold
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In more detail we can …
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Copy onto CD and DVD
Make compilations
Copy from one format to another
Play sound recordings at university
events & in the workplace
Communicate by streaming
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And we can also . . .
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Archive copies of works or sound
recordings that we stream
Use music on hold in our
telephone systems
Record live performances
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We already have rights
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We were always able to play a
sound recordings in the classroom
Students can already rely on fair
dealing in using sound recordings
The Part VA licences enables us to
copy broadcast music and other
recordings
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Exclusions
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Music cannot be downloaded
Only to students and staff
Copying must be BY the university
(not a student)
Broadcasting is not included
No commercial events
Films excluded
Not all performers & labels are in
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Watch out for these too
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Students are not a party to the
agreement
Reproduction must be for
education
Charges? No more than cost
recovery
Does not cover ancillary material
like sheet music and notes
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What we have to do
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Nominate a central unit to provide
streamed sound and copies
i.e. the library (e-reserve) or the ilectures unit, or ITS
Provide a statistical return every 1
October for that day
Mark copies as required
Provide accurate information
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Conclusion
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Significant new rights
Not necessarily a bargain
We are buying peace of mind as
well as music
New things to do and new rules to
comply with
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Go to it!
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