Chapter 15-Ragtime - Western Carolina University
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Transcript Chapter 15-Ragtime - Western Carolina University
Chapter 15-Ragtime
“Hello! My Baby” a representative example
of a ragtime song.
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lyrics: invention of the telephone
Most identifying feature of ragtime music, vocal
or solo piano?
the rhythm
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syncopated melody against a steady, marchlike bass in
duple meter
Roots of Ragtime
Broad. Possible sources of the syncopated
rhythm that is characteristic of ragtime music?
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dance rhythms:
march or two-step
cakewalk
Caribbean and Latin American dance rhythms
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danza
habanera
seguidilla
Creole songs from Louisiana
Ragtime as Piano Music and the
Work of Scott Joplin
World’s Columbian Exposition in Chicago in
1893
– gathering of ragtime pianists
– Ragtime for the piano assumed what three
forms?
piano renditions of ragtime songs
the “ragging” of unsyncopated music
original compositions for the piano
Ragtime era - c.1893 to c.1920.
A rise in piano and player-piano sales
paralleled this period.
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Ragtime instruction books began to appear.
Ragtime instruction studios opened.
Ragtime sheet music was published.
Not New York-centered
“the golden age of local and regional music
publishing.”
Ensembles that began to play
ragtime
Brass, concert, and dance bands such as
that of John Philip Sousa began to
perform arrangements of ragtime music.
The Musical Characteristics of
Ragtime
Ragtime Rhythm
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Syncopation
“the displacing of accents from their normal
position in the musical measure, so that they
contradict the underlying meter”
Ragtime Form
What is the form of both rag and march?
– a succession of musically independent
“strains” of uniform length (sixteen measures)
– most of these “strains” or sections are
repeated
Scott Joplin’s “Maple Leaf Rag”
– contrasting strains
– syncopation against steady, accented notes
Who was Scott Joplin?
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(b. 1868 in Linden, Texas; d. 1917)
parents: laborers; former slaves
Scott played guitar, cornet, and piano.
c.1890 settled in St. Louis
1893—performed at World’s Columbian Exhibition in Chicago
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moved to Sedalia, Missouri
composed, played, published
stage works
The Ragtime Dance (pub. 1902)
A Guest of Honor (1903), lost
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his first opera
Treemonisha (1907)
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1976—won Pulitzer Prize for musical composition
Decline of Ragtime
By the mid-1910s, vocal ragtime merged with
mainstream popular music.
Also, piano ragtime began to merge with jazz.
Jelly Roll Morton
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(1890-1941)
born in New Orleans
pianist/bandleader
key figure in the transition from ragtime era to jazz
Two Offshoots of Ragtime: Stride Piano and
Novelty Piano
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Stride piano
also known as “Harlem piano”
1920s and 1930s
cultivated by James Price Johnson (1894-1955) and Fats Waller (1904-43)
virtuoso form, developed by pianists
musical style:
steady left-hand rhythmic pulse
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like ragtime, but expanded to wide-reaching “strides” between low bass notes and midrange
offbeat chords
syncopated right-hand figuration
often faster than ragtime
driving beat
very elaborate melodic line
James P. Johnson’s “If Dreams Come True” - example of stride piano.
quick, steady pulse
“strides”
elaborate, syncopated melody
Where and when did jazz emerge?
wherever there was a sizable population of
African Americans
in the early twentieth century
What are the forms of black (or blackderived) music that came before jazz?
– minstrelsy
– ragtime
– blues
Brass Bands
An exceptional number of black brass bands and dance orchestras
were located in which American city?
– New Orleans
What was the instrumentation of these bands?
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ten or twelve pieces
trumpets or cornets
alto and baritone horns
trombones
tuba
clarinets
drums
What were some of the different functions for these bands and
orchestras?
– concerts
– parades
– dances (smaller groups)
Parade music associated with funerals
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marching to the graveyard
after the burial
march away to the beat of the snare drum only
burst into a ragtime number or a “ragged”
version of a hymn or spiritual
Examples of Parade Music
“Eternity” by the Eureka Brass Band in New Orleans,
1954.
– representative of music for marching to the graveyard
– slow, solemn march
– http://www.youtube.com/watch?v=krJW2qMVv4M&feature=rela
ted
“Just a Little While to Stay Here” by the Eureka Brass
Band in 1954.
– representative of music for marching away from the graveyard
– upbeat, jazzy tune
– http://www.youtube.com/watch?v=4BBO6chcIk0