Evolution of cataloging norms from ancient Mesopotamia to RDA
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Transcript Evolution of cataloging norms from ancient Mesopotamia to RDA
Evolution of cataloging
norms from ancient
Mesopotamia to RDA
Presented by Harold Thiele
At the ALCTS – CaMMS Cataloging
Norms Interest Group, ALA MidWinter meeting, Seattle, 1/26/2013
Mesopotamia
Sumer >>> Assyria
The earliest evidence of a written language is
attributed to the Mesopotamia civilization of
Sumer, located in Southern Iraq.
3500 BC proto-cuneiform was in use.
Documents were being produced by inscribing
text into clay and wood tablets.
By 2600 BC cuneiform syllabic script was in use.
Libraries / archives were being formed.
Cataloguing practices were being developed.
Mesopotamia
Sumer > Akkadia
What Problems did the
‘Scribe/Librarians’ have to solve?
How to identify the work at hand.
Clay & wooden tablets
No titles, authors, publishers, etc.
How to organize the works.
Catalogs
Shelf listing
What did the ‘scribe/librarians’ do?
Analysis of the earliest tablets and catalogs
give us some impression of the approaches
these early scribe/librarians took to get
control of the materials they were
responsible for.
Developed classed / subject classification
Developed the colophon
Compiled lists of works from the colophons and
developed catalogs
Colophons
The scribe/librarians began to add a ‘tag’ to
the tablet/s that provided information about
the tablet – a colophon.
They began creating these tags using selected
keywords from the first two lines of text
(Dalby, 1986).
The practice of using keywords to identify
text was abandoned relatively quickly.
Keyword colophons and catalogs appear only
in the earliest deposits.
Incipits
The scribe/librarians continued to innovate,
looking for better ways to identify their texts.
Early on the scribe/librarians began to identify
the texts by the first few words of the opening
line of the text – the incipit.
In time, they began skipping formulaic opening
words.
The use of the incipit was a way to identify a
physical tablet rather than an abstraction of a
literary work.
Incipits - 2
The use of the incipits proved to be very
successful and has been used from its
introduction in Sumer through today.
Incipits are still used to identify untitled
poems, songs, prayers, hymns, Papal Bulls,
and so forth.
Word processors use incipits to identify
documents.
Incipits are part of standard music notation.
Descriptive Phrase
While the incipit proved to be useful in
identifying literary works, it was less useful
for a wide range of other materials
(accounting, scientific, technical, medical,
cooking, contracts, and so forth).
To handle these materials, the scribe /
librarian would create a descriptive phrase
that identified the contents of the text.
Development of the Title
The use of the incipit or descriptive
phrase to identify texts caused them to
became the de facto title of the text.
Emphasis was place on developing an
excellent opening line that would make
a good incipit.
It is only in the modern era that the
creation of a title for a text has
replaced the use of the incipit.
Colophons 2
Colophons developed rapidly to
include sequence, title,
responsibility (scribe), and
additional info.
Percentage of tablets with
colophons increases with time.
Colophons used to generate
catalogues.
Catalogues
Shortly after the development of the
colophon, the scribe/librarians developed the
idea of aggregating the ‘title’ information
into lists or catalogs.
The catalogs developed over time to include
the title, extent, and other information.
The catalogs rapidly became subject related
catalogs.
Development of the Main Entry
The consequence of the development of
the catalog was the development of the
main entry.
The catalog listed the complete entry of
the item giving the title, extent, form,
and often included its location – a title
main entry.
Title Main Entry
The Title Main Entry was developed in Sumer
and remained the preferred catalog entry in
Mesopotamia and many other areas of the
world, especially the Orient.
During the antiquity period throughout
Mesopotamia and the rest of the literary
world authors were rarely acknowledged.
There is only one known author from this
period.
Enheduanna
(2285-2250 BCE)
First named author in all of world
literature
'The Sumerian Temple Hymns' ; Nin-mesara, "The Exaltation of Inanna“ ; In-nin
sa-gur-ra (incomplete) ; In-nin me-husa, "Inanna and Ebih ; Hymn to Nanna.
Akkadian princess, daughter of King
Sargon of Akkad, High Priestess of the
Moon god Nanna in the Sumerian citystate of Ur
Copies of her work were maintained for
millennia after her death in temples in
Nippur, Ur, and Lagash.
Classed / Subject Cataloging
Examination of the Sumerian and Akkadian
catalogs reveals that the Mesopotamians
organized their libraries into subject holdings
areas. Most catalogs represent the texts in a
single holdings area.
von Dassow (2005) re-examination of Woolley’s
1930/40’s excavation at Alalah findspots records
revealed a larger role of libraries in general and
the presence of specialized library holdings and
unrecognized personal and family libraries
within the ruling households.
Relationships
von Dassow found that the Mesopotamian
library was a distributed library with holdings
scattered throughout the building or
compound. Catalogs found within a holdings
area were related to those holdings.
Author Main Entry
The development of the author main entry
would have to wait two millennia for the
Greeks.
The concept of the added entry would have
to wait for almost four millennia for Thomas
Hyde and the 1674 Catalog of the Bodleian
Library.
Greece – Rise of the Author
The next major development in main
entry occurred in the Hellenistic world.
During the 6th Century BC, many works
originally designed for oral recitation by
trained bards were written down to
stabilize the text.
5th Century BC copies of literary works
of known authors become common
Homer, Sophocles, Euripides, etc.
Establishment of Authoritative Versions
Because of growing scandals involving
misrepresentations, in the mid 4th
Century BC, Athens requires that an
authoritative version of each play be
kept on file.
Actors required to follow this text
Beginning of idea of copyright
There is a growing recognition of
‘author’ as an important bibliographic
value.
Library of Alexandria
c. 295 BC 48 BC? ~ 2nd C AD? ~ 391 AD? ~ 642 AD? ~ ?
The Library of Alexandria is given credit for the
development of the author main entry.
Major increase in collection size and range ~
growth estimates ca. 30,000 to 700,000 papyrus
scrolls covering all subject areas.
Title estimates range from 20,000 to over
1,000,000
Within subject holdings area, the scrolls were
arranged alphabetically by author.
Index rolls were associated with each bin that
lists the contents of the bins.
Callimachus
310/305–240 BC
Librarian at the Library of Alexandria credited
with producing the complete and
chronologically arranged catalogue of the
Library of Alexandria.
Called the Pinakes, its formal title was Tables of
Persons Eminent in Every Branch of Learning
together with a List of Their Writings.
It was a classed catalogue
120 volumes long
Each Table represented a subject/literature area
Alphabetically arranged by author (1st letter)
Pinakes
Callimachus' system divided works into six
genres and five sections of prose.
Law, history, medicine, mathematics, natural
science, and miscellanies.
Rhetoric, epic, tragedy, comedy, and lyric poetry.
Within each category the contents were
alphabetized by author.
Systematic Presentation
Biographical sketch of the author -- provided
the author's name, birthplace, his father's name,
any teachers he trained under, and his
educational background.
List of the author's publications in alphabetical
order
Started with a title.
First line of the work,
Summary of its contents,
Information about the origin of the roll.
Pinakes 2
Pinakes were not unusual in Hellenistic libraries.
Classed catalog.
Initial arrangement was by subject area.
Systematic presentation.
Author Main Entry
Alphabetical listing (1st letter)
Biographical details (authority record)
Title 2nd Entry
Alphabetical, chronological, or classed listing
Bibliographic details (authority record)
The Pinakes became a model to use all over the Mediterranean.
Influence can be traced to medieval times.
10th C. Arabic counterpart Ibn al-Nadim's Al-Fihrist ("Index").
Variations on this system were used in libraries until the late 1800s.
Rome to the 17th Century
Very little development of library catalogs
during this period.
Generally it was a period of regression.
The few lists that might pass for a catalog were
poorly executed inventory lists.
No consistency in how the entries were formed.
The grand collections of the Hellenistic period
were gone.
Thomas Hyde
Bodleian catalogs of 1674 and 1738
Presented a formal set of codes for entry,
preference for author main entry.
Tries to bring together the works of an author
references
from variant forms of an author’s name
also from variant ways of entering a work.
Marks the beginnings of added entries to a main
entry.
Catalogs are no longer single entry listings.
From Hyde to AACR2
Growing formalization of cataloging codes
that focused on main entry (preferred
author), with added entries.
The flexibility of the card catalog enabled the
use of a limited number of added entries.
The development of the computer and
networking added pressure to revisit the
main and added entry concepts
RDA
Main entry and added entry terminology no
longer used.
Authorized access points and variant access
points used.
Strong stated preference for creator – title
format for access points.
Use of a wider variety of access points
strongly encouraged to take advantage of
computer data manipulation strong points.