Transcript Every Child Matters – key aims

The New National
Curriculum: Good Teaching
meets Brain Research.
Bilingual Schools Education Network,
February 2013
www.johnbald.typepad.com
Brain cells and connections
(from The Learning Brain, Blakemore and Frith, 2005)
As we learn, brain cells form connections with
each other that build into networks. These
connections are strengthened with practice.
Brain cell
(from Neuroscience and Education, Teaching and Learning Research Project, 2007)
Brain cell connections
(from Neuroscience and Education, Teaching and Learning Research Project, 2007)
Royal Institution Christmas Lectures 2012
Royal Institution Christmas Lectures 2012
Royal Institution Christmas Lectures 2012: Six months
Royal Institution Christmas Lectures 2012: Three years
The brain adapts itself to
different languages
Reading Aloud in English and Italian, evidence from brain scans (active areas in black)
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Left: reading system of English and Italian combined
Centre: sound processing more active in Italian
Right: word form area more active in English
(fromThe Learning Brain, Blakemore and Frith, 2005)
As we learn a new language…
• We add to and adapt the structures formed in
our brain as we learned our first language.
• These structures influence the way we learn the
new language, both the parts we find easy, and
the errors we make (Swan and Smith, Learner English.)
English speakers need to adapt to:
• New relationships between written and spoken
language, including spelling and pronunciation.
• Gender in nouns that have no physical gender, and
in associated pronouns and adjectives.
• Greater variation in verb forms than in English
(except for Mandarin!)
We promote the formation of
networks in children’s minds by
• Understanding the adjustments they need to
make to their thinking
• Explaining these clearly in terms children
understand.
• Clear and attractive presentation
• Teaching spoken and written language together,
so that children can see the links between them.
• Encouraging and answering questions
• Encouraging them to practise
We hinder the formation of networks
by
• Copying, which requires children to switch their
attention continually between the master version
and their own. These jerky movements fragment
thinking and new connections.
• Overloading, either by giving too much new
written material at a time, or presenting spoken
language that is too fast for children to
understand.
Copying, c1700 BC
(From The History of Writing, S.R Fischer)
Copying errors from a Year 7 mixed-ability class
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Quel as âge tu.
O habite tu
Ou j’habites-tu
Où habite a Londres.
Common t’appelle tú_
Je onzo age
Ja un douze
Quel âge as-tu?
Où habites-tu?
J’habite à Londres.
Comment t’appelles-tu?
J’ai onze ans
J’ai douze ans
(experienced teacher, pupils had models of the sentences
they were trying to write, from which they could copy.)
Key Features of French…
• The French like their spoken language to
flow, and their written language to be
precise.
• All nouns have a gender. (Very
occasionally, two – le or la professeur)
• The form of verbs varies more than in
English, and the negative is tricky.
... a suggested first order...
• Colours have key features – vert, bleu, rouge,
blanc, jaune, orange, noir, violet, marron. Say
together, study, look away, write on sleeve.
• Bonjour! (G’day). Drop the tongue to pronounce.
• Sing and point (to self and people) pronouns
• Sing and point être. I usually do negative first.
• Sentence building with family and pets introduces
gender and avoir, positive and negative.
…and a way of teaching flow
• Explain that vowels are voice sounds, and that two
together can be jerky – say je ai . Can they hear the jerk?
• Demonstrate the technique of dropping the first vowel and
replacing it with an apostrophe. Write apostrophe on the
board. Who thinks it’s an English word? Explain that
apostrophe comes from the Greek word for gap, and that
we have a gap when we take out a letter. So, we have j’ai.
• Have children study j’ai, then clean it off/minimise it, and
have them trace it with their finger on their sleeve or
desk. Nearly all will get it right. Praise.
• Write and explain the sentence J’ai un chat, noting the
letter at the end of the word that is not pronounced.
Repeat the tracing.
Some Key Features of Spanish.
• Regular spelling. There are hardly any silent letters, and
few double letters. Listen carefully, write what you hear,
and you will not go far wrong.
•
Fairly simple verbs, word order and sentence construction.
For example, to construct a negative sentence, you just
begin with “No”.
•
The Latin, or Romance, link, which allows us to convert
many words straight from English – situation, situación,
relation, relación, etc.
• Clear pronunciation patterns, with one stressed syllable per
word...but you have to put the stress in the right place!
My First Steps in Spanish.
• Colours. Rojo, azul, verde, amarillo, marrón introduce most
of the variations between Spanish and English
pronunciation, and the accent. As with French, say
together, study, look away and write on sleeve.
• Explain ¡Buenos Días! as a greeting, and what it means.
• Sing Ser to 10 green bottles, with actions, explaining how
Spanish takes advantage of its word endings to omit the
short words we have to put in front of verbs.
• Introduce masculine/feminine, via the idea of boys’ and
girls’ words for younger children. Eg soy una niña/un niño.
• Build sentences about family/pets, around tengo/no tengo.
With Clicker…
Extensions suggested by Y4
Sentence Modelling…
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Presents new structures clearly and simply
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Extends opportunities for study, explanation and questions
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Lets children compose written sentences as they do spoken ones,
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Eliminates the to-and-fro brain switches involved in copying
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Letting us teach written and spoken language together
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Allows children to say what they want to say
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Lets us present advanced language clearly and flexibly
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Raises achievement in reading and writing
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Is easy to use
Year 7, girl, assessed as dyslexic, before
sentence building work
Year 7, girl, assessed as dyslexic, after six
weeks’ sentence building work
Year 7, boy assessed as dyslexic
Year 4, higher-attaining girl
French Verb song
(song copyright ©Joe Biswell and John Bald)
Je
Tu
Il
Elle
(point to self, whole hand –finger pointing is rude)
(point to a friend, whole hand – they can’t help smiling !)
(point to a boy, not your tu friend)
(ditto a girl)
Nous Big circular sweep with both hands
Vous Point to teacher with both hands – explain that vous is a
mark of respect to a grown up.
Ils
Point to two boys both hands
Elles Point to two girls both hands
A possible order for verbs
• Pronouns only with actions
• Etre (negative with shaking of head)
• Etre positive (might try with nodding head)
• Some regular verbs - eg regarder, écouter, jouer, penser,
manger (these bring out regular patterns)
• Any other verb the children would need to use to say
something.
Some patterns in French verbs
• Tu
ends in
s
• ils/elles end in nt
• Nous ends in
-ons
• Vous ends in
–ez
(not nous sommes)
(not vous êtes and vous faîtes)
• These patterns recur in almost all tenses, including those
made with auxiliary (helping) verbs, conditionals and
subjunctives.
Some References
http://richannel.org/christmas-lectures/2011/meet-yourbrain
Clicker 6 + Acapello voices + app +dropbox: www.cricksoft.com
The Learning Brain, Blakemore S and Frith U Blackwell 2005
Neuroscience and Education, TLRP 2007
Spell it Out. D Crystal, 2012
Learning Disabilities, Fletcher J et al, Guilford Press 2007
Learner English, Swan M and Smith B, CUP 2001