Transcript Lecture 2
Chapter 17
Lecture Two of Two
Crete
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ARCHAEOLOGY AND CRETAN MYTH
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Archaeology and Cretan Myth
• Crete between Greek and trade routes to the
east, Egypt, and the west
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Archaeology and Cretan Myth
• First people from Anatolia (7000 B.C.)
– First script pictorial
– Second: Linear A
– Later, the Mycenaeans adapted Linear A for use in
their own language. This script called Linear B
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Archaeology and Cretan Myth
• Minoan power ends in 1450
• Cnossos rebuilt but now occupied by
Mycenaeans
• Second destruction: 1400 B.C.
• Third and final: 1200 B.C.
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Archaeology and Cretan Myth
• What can we know about the Minoans?
• Ancient Greeks wanted to know too and used
their myths as guide to history
– Thucydides
• Arthur Evans (1899)
– Uncovered Minoan material culture at Cnossos
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Fig. 17.6
Reconstructed portion of the Minoan
palace at Cnossus.
Author’s photo
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Archaeology and Cretan Myth
• Minoans were vigorous, pleasure-loving,
seafaring, with a taste for vibrant, naturalistic
art
• Palaces not fortified
– A thalassocracy?
• Relationship with Athens perhaps a historical
truth
– Theseus and the Minotaur
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Archaeology and Cretan Myth
• Minoan Religion
– Worshipped a Great Mother goddess
– The “Snake Goddess”
– Ariadnê (“the very holy one”)
– Ariadnê Aphrodite
– Bull as the symbol of male fertility and Zeus?
• Bull jumping as human sacrifice to the god?
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Fig. 17.7
The snake-goddess
Heraklion Museum, Crete; © Giraudon/Art Resource, New York
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Archaeology and Cretan Myth
• Athenian youths given to the Minotaur
perhaps an image of child-sacrifice
• Double axe
– Used to sacrifice the bull?
– Labys < Labyrinth “house of the double axe”?
• Pasiphaë and the bull a reflection of sacrifice
of young women to the god?
– modified to a sexual surrender
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Fig. 17.8 Bull-Vaulting Fresco
Heraklion Museum, Crete; Marie Manzy/Art Resource, New York
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Archaeology and Cretan Myth
• Minoan myth preserved by the Greeks who
emphasized the lurid and licentious about the
Cretans
– Pasiphaë
– Phaedra
– Megara
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Archaeology and Cretan Myth
• The story of Theseus appears to be a folktale
that resembles a male’s initiation into
adulthood
– In Athens, young men (18–20 ) who were ephebes
alluded to the model of Theseus in their oath
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Archaeology and Cretan Myth
Theseus
Journey to a far land
Male Initiation
Driven from native land
Victory over death and a Mock death and demons
monster
Amorous adventure
Sexual experience
Becomes king
Return to society with
full privileges
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Archaeology and Cretan Myth
• Daedalus, the trickster, also underlines the
folktale quality of Minoan myth
• Prototype of the passionate artist
– Daedalic style of art
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End
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