Transcript - Catalyst
CLASSICS 210
OVID
43 BC – AD 8
From Chaos to (Roman) cosmos
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Chaos -> cosmos
Ages of Man (gold -> silver -> bronze -> iron)
Lycaon -> wolf
Earth -> flood
Recovery from flood: Deucalion and Pyrrha:
stones-> people
Python
Daphne -> laurel
Io -> cow -> Isis
Syrinx -> Pan’s pipes
Phaethon
Phaethon’s sisters -> poplars and amber
Creation
Creator ‘prescribed its [the
cosmos’] several parts’
-emphasis on boundaries
‘there he bade the mists and
there the clouds to have their
dwelling place’
‘did not grant the winds full
freedom of the sky; who even
so though each in separate
regions rules his blasts, can well
nigh tear the world apart, so
fierce is brothers’ strife. P. 2
Ages of Man
[Jupiter] ‘called the gods to
conclave’
‘this majestic place … is
heaven’s Palatine’
‘so when the blood of Caesar …
was spilt [did people shudder as
the gods did now]… nor dost
thou rejoice, Augustus, in thy
subjects’ loyalty less than great
Jove in his … ’
p. 6 -7
Lycaon
-bad behavior in Greece must be
responded to with destruction
( cf. Roman wars in Greece during the
100’s BCE)
-’Can Jove intend to abandon earth’s
domain to brute beasts…?’
-’he recalled the fates foretold a time…’
cf. Virgil’s and Augustus’ use of
prophecies about Rome p. 8
Flood
-Jove has the power to cause fatal floods
Cf. naumachia – staged naval battles/execution of
prisoners
• Julius Caesar 46 BCE by the Tiber
• Augustus 2 BC in a specially constructed structure fed
by a new aqueduct
Flood
‘I gave the people the spectacle of
naval battle [Greeks vs. Persians]
beyond the Tiber, at the place where
now stands the grove of the Caesars…
thirty beaked ships and a large
number of smaller vessels met in
conflict… there fought about 3000
men in addition to the rowers.’
Augustus, Res Gestae 4.23
When, lately, Caesar, in mock naval battle,
exhibited the Greek and Persian fleets,
surely young men and girls came from either coast,
and all the peoples of the world were in the City?
Who did not find one he might love in that crowd?
Ovid Art of Love 1.171 ff. trans A.S. Kline
Apollo vs Python
Here [in the Pythian games at Delphi] all
[who won] received the honor of a wreath
of oak (Met p 14.)
- Oak crown awarded to a Roman who saved a fellow citizen from an enemy
- Pliny, Natural History 16.5
Apollo and Daphne
You shall attend the conquering lords of Rome
when joy shouts triumph and the Capitol
welcomes the long procession; you shall stand
beside Augustus’ gates …
Bernini c. 1622
Fresco depicting cult of Isis, Pompeii
Io
She is a goddess now, famous, divine,
And linen-robed adorers throng her shrine. Met p. 23
Phaethon
A. Palace of the Sun and the map of the world
‘For Vulcan had engraved the world’s great orb …
the sea that rings the world … On the land
people and cities, woods and beasts were graven p. 25
The Porticus Vipsania and the map of the world
‘For it was Augustus who completed the portico containing a
plan of the world that had been begun by his sister in
accordance with the design and memoranda of Marcus
Agrippa’ (Pliny, Natural History 3.17).
B. Phaethon’s sisters -> poplars and amber by the Po (Eridanus)
So their tears still
flow on and oozing from the new-made boughs,
drip and are hardened in the sun to form
amber and then the clear stream catches them
and carries them for Roman brides to wear.
Michaelangelo c. 1533
Ovid, Metamorphoses 10-11: The Song of Orpheus
Loss of Eurydice
Cyparissus -> cypress tree
Ganymede (Jove -> eagle)
Hyacinth -> hyacinth
Cerastae : guest killing men -> bulls
Propoetides: women -> stones
Pygmalion + Galatea (stone -> woman)
Paphos
Cinyras
Myrrha -> myrrh
Adonis ->anemone
(Venus’ song of Atalanta)
Death of Orpheus
snake on Lesbos –>stone
Thracian women -> oak trees
Midas -> asses’ ears
Orpheus and Eurydice
Orpheus and Eurydice
Poussin 1650
[from his previous wedding duties] thence Hymen came
At Orpheus’ summons’ p. 225
Orpheus and Eurydice
‘the new-wed bride … fell dying when a serpent struck her heel …’ p. 225
Titian 1510
Orpheus and Eurydice
Corot 1868-70
Orpheus and Eurydice
‘The underworld could not deny the prayer’ p. 226
Rubens 1636-38
Orpheus and Eurydice
‘fearing lest she faint, longing to look,
he turned his eyes and straight she slipped away’ p. 226
Roman copy of Greek original
Orpheus and Eurydice
Rodin
‘he stretched his arms to hold her – to be held –
And clasped, poor soul, naught but the yielding air’ p. 226
Orpheus and Eurydice
‘There was a hill, and on the hill a wide
level of open ground, all green with grass.
…When the bard … sat there and touched his strings …
every tree was there
Poussin 1650
Cyparissus
Domenichino 1831-4
‘unaware with his sharp javelin,
young Cyparissus pierced him to the heart …
He begged a last boon from the gods, that he might mourn
forever more’ p. 229
Cyparissus
Tempesta 1600s
‘You shall attend when men with grief are torn’ p. 229
Cyparissus
At Versailles 1661-1756
Does Virgil recall this story of the cypress tree as a symbol of grief and mourning
when war breaks out in Latium?
Therthere was a giant stag
… a collar hung over his
shoulders set with
precious stones
he often visited the
homes of men
Ovid p. 228
Orpheus and Eurydice
’Jove’s might I’ve often hymned in days gone by …
but now I need a lighter strain, to sing
of boys beloved of gods and girls bewitched by
lawless fires who paid the price of lust … ‘p. 229
Poussin 1650
Cf. ‘Orphic Cosmogony’ –
fragmentary poems in Greek
attributed to Orpheus about the
origins of the world order
Ganymede
Zeus and Ganymede, c. 470 BCE
Ganymede
‘Something was devised that Jove would rather be
than what he was’ p. 228
‘off he swept the Trojan lad, who now
Mixing the nectar, waits in heaven above
though Juno frowns, and hands the cup to Jove’ p. 230
Rubens
Ganymede
Rembrandt 1635
Ganymede
Correggio 1530
Hyacinth
‘Hyacinth, too, Apollo would have placed
in Heaven, had the drear fates given time
to place him there’. p. 230
Fatal discus throw and aftermath
‘A new flower shall be with letters [AI AI AI] marked
to imitate my sobs’ p. 231
• Hyacinthus honored
‘Sparta’s pride in Hyacinth, her son,
endures undimmed: with pomp and proud display
each year his feast returns in the ancient way’ p. 231
• Cerastae and Propoetides hated
‘It was the blood of guests! … This impious race
(Cerastae) shall pay the price!’ p. 232
‘The obscene Propoetides had dared
deny Venus’ divinity. For that,
the goddess’ rage, it is said, made them the first
strumpets to prostitute their bodies’ charms.’ p. 232
Cerastae: men who kill guests -> horned bulls
Propoetides -> women who -> stones
Cerastes
digression: Cerastes
in medieval
bestiaries
Gallery
Bibliography
Manuscripts
Description
Cerastes
Latin name: Cerastes
Other names: Carastes
An exceptionally flexible serpent with
horns
Koninklijke Bibliotheek, KB, KA 16, Folio 123v
Deadly snake; lures prey by hiding in sand so only horns show
General Attributes
The cerastes
is the most flexible of all serpents, so flexible that is seems to have no spine. It has
http://bestiary.ca/beasts/beast532.htm
either two horns, which are like a ram's horns, or four pairs of small horns. The cerastes hides in the
Pygmalion & Galatea
Gerôme 1890
E. Burne-Jones 1869-79
1
3
2
4
Pygmalion & Galatea
1400s, manuscriot of the Roman de la Rose
Pygmalion & Galatea
c. 1390 , manuscriot of the Roman de la Rose
Pygmalion
Galatea
Paphos
Cinyras
Myrrha
Adonis
‘Those tears in truth
have honor; from the trunk the weeping myrrh
Keeps on men’s lips for aye the name of her’ p. 241
Myrrha
Venus and Adonis
Then a most lovely infant, then a youth,
and now a man more lovely than the boy,
was Venus’ darling (Venus’!) and avenged
his mother’s passion’
‘to heaven she preferred Adonis ‘
‘she warned Adonis too to fear those beasts’ p. 241-2
Titian 1553
Venus and Adonis
Rubens, c. 1630
‘Be brave when backs are turned, but when they are bold,
boldness is dangerous’ p. 242
Venus and Adonis
Veronese 1580
‘I’ll tell a tale to astonish you
of ancient guilt and magic long ago’ p. 242
Atalanta & Hippomenes
‘No man’s wife am I .. Unless he wins the race …’
‘A rosy flush painted the pallor of her limbs,
as when a scarlet awning in the sun
is drawn above a marble vestibule
and dyes or seems to dye the colored shade’
p. 244
Colombel
n.b. Roman technology,
also used at games and spectacles
Atalanta & Hippomenes
‘ I held three golden apples I had picked …
unseen except by him I taught him the apples’
use’ p. 246
‘And I, Adonis, did I not deserve
Especial thanks and incense in my honor?
But he forgot .. To sudden wrath I turned’
Colombel
Atalanta & Hippomenes
‘ I held three golden apples I had picked …
unseen except by him I taught him the apples’
use’ p. 246
‘And I, Adonis, did I not deserve
Especial thanks and incense in my honor?
But he forgot .. To sudden wrath I turned’
(Atlanta and Hippomanes are driven to ‘defile’ the temple of Cybele, and turned intoColombel
Cybele’s tame lions)
‘you my darling, for my sake beware of lions and of every savage beast
that shows not heels but teeth
Avoid them all, lest by your daring ruin on us fall.
Venus and Adonis
A blood red flower arose, like the rich bloom
of pomegranates which in a stubborn rind
conceal their seeds; yet is its beauty brief,
so lightly cling its petals, fall so soon,
when the winds blow that give the flower its name
[anemone, cf Gr. anemos, wind]
Orpheus and Eurydice
Poussin 1650
A fierce snake threatened, until at last Apollo came
to thwart it as it struck and froze to stone
that serpent’s open mouth and petrified,
just as they were, the jaws that gaped so wide
Met. 11. p. 250
J. W. Waterhouse 1905
Nymphs finding the head of Orpheus