Transcript Slide 1

Unbearable Lightness of Being
STRUCTURE
Keyvious Avery
Background
• Milan Kundera, before studying literature, studied
music and piano composition.
• Kundera describes his characters’ lives as music
compositions: polyphonies forming a fugue.
Polyphony: music with several melodies; musical
composition that uses simultaneous, largely
independent, melodic parts, lines, or voices
Fugue
• a contrapuntal composition in which a short
melody or phrase (the subject) is introduced
by one part and successively taken up by
others and developed by interweaving the
parts.
First
• Main Melody (subject)
Eternal Return…
Idea that events repeat themselves over and over
Fugue…
Melodies that simultaneously repeat themselves
to form a harmony.
The is the way Kendura themes Unbearable Lightness of Being… His themes are all
related but different and unique.
Main Melody
Answer
Second Voice
Subject Imitation
Counter Subject
Separate melody that
enters occasionally with
the answer.
Main Melody
Answer
Eternal Return
Lightness And Weight
Second Voice
Subject Imitation
Counter Subject
Separate melody that
enters occasionally with
the answer.
Kendura uses lightness and
weight to tie in with eternal
return by saying, “Life which
disappears once and for all,
which does not return is like a
shadow, without weight.”
(Harmonies that tie in with the answer) --------- Body vs. Soul
Associated with Light and Weight but cannot be
independent.
Example:
Tereza is a heavy character and her conflict is
between her body and soul.
Other Counter Subjects Include…
•
•
•
•
•
Tereza’s Suitcase
Tomas’ Promiscuity
Sabina’s Bowler’s Hat
Tomas and Franz’s political association
es muss sien
Variations of melodies.
Composer
The ideas of the composer
(Kendura) is stressed
through the performers (his
characters).
Composer
The ideas of the composer
(Kendura) is stressed
through the performers (his
characters).
“Words Misunderstood”…
Human lives are shaped like
musical compositions.
Example:
Sabina’s life is described as a musical composition motif. “It repeats over and over again,
each time with a different meaning.”
This tells us that each character possess motifs and recurring ideas (subjects, answers,
and counter arguments) in the composition if their lives.
Beethoven?
• Melody within two separate compositions
forming a harmony.
Beethoven?
• Melody within two separate compositions
forming a harmony.
Tereza and Tomas
Tomas meets Tereza and while they are talking,
Beethoven plays on the radio…
Tereza reminisces on why she fell in love with
Tomas (Beethoven plays)
Binding of the 2
Compositions.
Call and Response
In “Words Misunderstood”, Franz and Sabina are the two speakers.
Call and Response
In “Words Misunderstood”, Franz and Sabina are the two speakers.
Sabina
Franz
Old Church in
Amsterdam
Beauty
“… the image of old
liberation.”
Betrayal
Magnificent
Separation of people.
Call and Response Continued
OPINION OF TRUTH
Sabina
Living in truth is
only possible away
from the public.
Franz
Being different in
public and in private
“spheres” into the
source of all lies.
Call and Response Continued
OPINION OF TRUTH
Sabina
Living in truth is
only possible away
from the public.
Franz
Being different in
public and in private
“spheres” into the
source of all lies.
The differences
between them is too
much so they call
quits. (2 unlike
compositions)…
2 unlike compositions
cannot harmonize
together to form one
Fugue.
Parallel To….
This is parallel to Tereza and Tomas in “Words Misunderstood”.
Parallel To….
This is parallel to Tereza and Tomas in “Words Misunderstood”.
Tereza
Subject: Body and Soul
Counter Subject: Weight
Tomas
Subject: es muss sien
Counter Subject: Promiscuity
Parallel To….
This is parallel to Tereza and Tomas in “Words Misunderstood”.
Tereza
Tomas
Subject: Body and Soul
Counter Subject: Weight
Subject: es muss sien
Counter Subject: Promiscuity
Common Theme----- Call Quits
Later In Novel…
Later In Novel…
• Developmental Episode
Individual Fugue deviated from the subject then
goes back into it.
Later In Novel…
• Developmental Episode
Individual Fugue deviated from the subject then
goes back into it.
Tomas and Tereza sees Prague from 2
different perspectives.
THEY HAVE TO HARMONIZE!!!
Later In Novel…
• Developmental Episode
Individual Fugue deviates from the subject then
goes back into it.
Tomas and Tereza sees Prague from 2
different perspectives.
Common theme?
Mutual Love
Their problems came to a resolution.
Tricky Composer
• In Chapter 29, Kundera ties in all the motifs
into what we sense as a Grand Finale… but
then he adds a Coda.
Tricky Composer
• Early in the book, Kundera ties in all the motifs
into what we sense as a Grand Finale… but
then he adds a Coda.
Conclusion of a piece and is used to return the piece
to its original subject.
Tricky Composer
• In Chapter 29, Kundera ties in all the motifs
into what we sense as a Grand Finale… but
then he adds a Coda.
Conclusion of a piece and is used to return the piece
to its original subject.
PREVIOUS HARMONIES
“Karenin’s Smile”
“Karenin’s Smile”
Another discussion of Eternal Return.
Thomas and Tereza
Common Motif
The Dog, Karenin
“Karenin’s Smile”
Another discussion of Eternal Return.
Thomas and Tereza
Common Motif
The Dog, Karenin
Karenin was compared to the Garden of Eden, remaining at peace
with the day to day cycle/ life of Tereza and Tomas. The Karenin
developed cancer… his life went in a linear direction, never to
repeat again and again, grew depression and stopped smiling.
Karenin was the instrument/ player that couldn’t keep up.
What is the Coda?
• End of eternal return in Karenin’s life and the
end of eternal return in the fugue’s theme.
AT LAST
• Tomas and Tereza became harmonies.
AT LAST
• Tomas and Tereza became harmonies.
Meaning…
“Human time does not turn in a circle, it runs ahead in a
straight line. That is why we can’t be happy; happiness is
the longing for repetition.”
-Kendura
AT LAST
• Tomas and Tereza became harmonies.
Meaning…
“Human time does not turn in a circle, it runs ahead in a
straight line. That is why we can’t be happy; happiness is
the longing for repetion.”
-Kendura
Kendura helps us see the motifs within out own lives and how
they are harmonies.