Transcript Greek Drama

Greek
Drama
Religious Festivals
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In honor of Dionysus – god of wine, food,
fertility
Dionysia--city where festival was held in the
spring
Festival lasted for 4 days; ended with awards
given to best plays.
Competitive dances, songs and choral hymns
performed to honor the gods, esp. Dionysus
Choric storytelling evolves into reenactments of legends of Greek culture
Greek Drama
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The Ancient Greeks took their
“entertainment” very seriously and
used drama as a way of investigating
the world they lived in, and what it
meant to be human.
Greek Drama
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Wealthy citizens would sponsor plays
by paying a tax called the choregia.
Many hoped the success of the play
they sponsored would provide them
with a way into politics.
Greek Drama
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The three genres of drama were
comedy, satyr plays, and most
important of all, tragedy.
Comedy
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Mainly satirical and mocked men in
power for their vanity and foolishness.
Tragedy
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Themes -- love, loss, pride, the abuse of
power and the fraught relationships between
men and gods.
Main protagonist commits some terrible
crime without realizing how foolish and
arrogant he has been. Then, as he slowly
realizes his error, the world crumbles around
him.
The three great playwrights of tragedy were
Aeschylus, Sophocles, and Euripides.
Tragedy
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Aristotle argued that tragedy cleansed
the heart through pity and terror,
purging us of our petty concerns and
worries by making us aware that there
can be nobility in suffering. He called
this experience 'catharsis'.
Satyr Plays
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Short plays performed between the
acts of tragedies that made fun of the
plight of the tragedy's characters. The
satyrs were mythical half-human, halfgoat figures and actors in these plays
wore large phalluses for comic effect.
Thespis
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Father of Drama/First Actor
astounded audiences by leaping on to
the back of a wooden cart and reciting
poetry as if he was the characters
whose lines he was reading
“Thespian”
First Playwrights
Aeschylus introduced a second actor,
creating DIALOGUE
Sophocles introduced a third actor, as
seen in Oedipus Rex, which allows for
dramatic complexity.
Structure of the
Theater
Classic Greek Theatre
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Theatron
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Seeing place where
audience sat. Held up
to 20,000 people.
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Orchestra
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Circular dancing place
where actors and
chorus performed
Thymele
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Altar to Dionysus,
center of orchestra
Classic Greek Theatre
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Skene
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Proskenion
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Building used as
dressing room
Façade of the skene
building which served
as backdrop
Parados
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Entrance to the
theatre used by chorus
audience
Actors & Acting
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A play could have many characters but
had to be divided among three actors
Unlimited number of extras or mutes.
Stage could have a dozen or more
soldiers or village maidens without
violating the rule of “three”
All roles were played by men
Costumes & Masks
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Long flowing robes
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Symbolically colored
High boots, often with
raised soles
Larger than life masks
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Made of linen, wood,
and/or cork
Exaggerated features
Masks—Persona
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Male vs. female
Young vs. old
Grief stricken vs.
hopeful
The “open mouth”
on the mask
increased the
resonance of the
actor’s voice
Function of the Chorus
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Serve as a barometer of popular opinion
Add beauty (theatrical effectiveness) through
song dance
Give background information
Divide action & offer reflections on events
Questions, advises, expresses opinions—
usually through chorus leader
Conventions
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Temple at Delphi
Unities
Action—simple plot
Time—a single day
Place—one scene
throughout the
entire play
Conventions
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Messenger
Tells news happening
away from the scene
Reports acts of
violence not allowed to
be seen
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Limitations
Continuous presence of
the chorus
No intermissions:
continuous flow of
action and choral odes
No lighting or curtains
Tragic Hero
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Tragic Flaw—Hubris
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Excessive Pride; arrogance
Fatal errors in judgment which
contributes to the downfall
Tragic Realization
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Accepts responsibility for the outcome
Perceives before the fall how he/she has
contributed to his/her own destruction
Irony
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The awareness—by the author,
character, or reader—of a contrast or
an incongruity between appearance
and reality
Verbal Irony
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Words that appear to mean one thing
really mean the opposite
Irony
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Dramatic irony
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What appears true to a character is not
what the audience or reader knows to be
true
Situational Irony
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What appears likely to happen is not
what actually happens
Paradox
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A statement or a situation that at first
seems impossible or self-contradictory
but that may actually be true, either in
fact or in the figurative sense.
Deus ex machina
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'dA-&s-"eks-'mä-ki-n&
Function: noun
Etymology: New Latin, a god from a machine, translation
of Greek theos ek mEchanEs
Date: 1697
1 : a god introduced by means of a crane in ancient Greek
and Roman drama to decide the final outcome
2 : a person or thing (as in fiction or drama) that appears
or is introduced suddenly and unexpectedly and provides
a contrived solution to an apparently insoluble difficulty
Archetype
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A basic model from which copies are
made; a prototype
An original pattern