Transcript Greek Drama - Madison Central High

Antigone
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5th Century BC
Golden Age of Drama
Dramatic festivals were popular
People watched tragic and comic plays
This period referred to as the Age of Pericles
This Golden Age ended with the start of the
Peloponnesian War
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Earliest literary genre in Athens = poetry, which
appeared as early as the twelfth century BC
Poetic tradition continued via tragedies
Greek tragedy developed from the dithyramb, a
combination of dance and song performed by a
chorus in honor of Dionysus (god of wine,
fertility, theater)
Worship of Dionysus began as a choral song
performed by a chorus of 50 men dressed in
goatskins
“Tragedy” comes from the Greek for goat
Roots in Worship of Dionysus
God of wine and Revelry
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Invention of tragedy attributed to Thespis
Created the first actor (hypokrites) who
performed between the dances of the chorus
In 534 BC tragedy was introduced into the
festivals of Dionysus, which occurred three
times a year in Athens
The largest of these festivals called the Great
Dionysia
The best of the plays called Attic plays
 The
"inventor of tragedy" was born in Attica
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first prize winner at the Great Dionysia
in 534 BC.
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was an important innovator for the
theatre, introduced: the independent actor,
masks, make up, costumes
 Thespis
walked around Athens pulling a
handcart, setting up a kind of one man
play, where he showed the bad behavior of
man.
 The word for actor " thespian" comes from
his name.
 His contemporary Solon resented him, with
the claim that what Thespis showed on
stage would soon be acted out in reality as
well.
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Subject matter – similar to that of epic poetry
– history and mythology
Audience was very familiar with the subject
and knew the ultimate fate of the characters
Main interest was in how the playwright
adapted and interpreted the material
The Three Types of Greek Drama
Comedy: Like tragedy, developed through
worship of Dionysus
The first comedies were mainly satirical and
mocked men in power for their vanity and
foolishness.
The first master of comedy was the playwright
Aristophanes wrote . Only ten plays Much later
Menander wrote comedies about ordinary
people and made his plays more like sit-coms.
The Three Types of Greek Drama
Tragedy: Tragedy dealt with the big themes of love, loss,
pride, the abuse of power and the fraught relationships
between men and gods. Typically the main protagonist of
a tragedy commits some terrible crime without realizing
how foolish and arrogant he has been. Then, as he slowly
realizes his error, the world crumbles around him. The
three great playwrights of tragedy were Aeschylus,
Sophocles, and Euripides.
Aristotle argued that tragedy cleansed the heart through
pity and terror, purging us of our petty concerns and
worries by making us aware that there can be nobility in
suffering. He called this experience 'catharsis'.
The Three Types of Greek Drama
Satyr Plays: These short plays were performed between the acts of
tragedies and made fun of the plight of the tragedy's characters.
The satyrs were mythical half human, half-goat
figures and actors in these plays wore large
phalluses for comic effect. Few examples of these
pays survive. They are classified by some authors
as tragicomic, or comedy dramas.
A Satyr & Dionysus
A Satyr & a Nymph
Hubris
Hubris or hybris (Greek ὕβρις), according to its modern usage, is
exaggerated self pride or self-confidence (overbearing pride), often
resulting in fatal retribution. In Ancient Greece, "hubris" referred to
actions taken in order to shame the victim, thereby making oneself
seem superior.
Hubris was a crime in classical Athens. The category of acts
constituting hubris for the ancient Greeks apparently broadened from
the original specific reference to molestation of a corpse, or a
humiliation of a defeated foe, to molestation, or "outrageous
treatment", in general. The meaning was further generalized in its
modern English usage to apply to any outrageous act or exhibition of
pride or disregard for basic moral law. Such an act may be referred to
as an "act of hubris", or the person committing the act may be said to
be hubristic.
Hubris
Another example is that of Oedipus.
•In Oedipus the King, while on the road to
Thebes, Oedipus meets King Laius of Thebes
who is unknown to him as his biological father.
Oedipus kills Laius out of hubris over which
has the right of way, thereby fulfilling the
prophecy of the oracle Loxias that Oedipus is
destined to murder his own father.
•Creon commits hubris in refusing to bury
Polynices in Sophocles' Antigone.
Fate
FATE: the will or principle or determining cause
by which things in general are believed to come
to be as they are or events to happen as they do
: destiny
The Greeks believed that everything happened for
a reason and that the path they led in life, was
prescribed for them by the Gods and that there
was no escaping their fate or destiny.
Irony & Dramatic Irony
IRONY: a pretense of ignorance and of willingness to learn
from another assumed in order to make the other's false
conceptions conspicuous by adroit questioning
DRAMATIC IRONY: incongruity between a situation
developed in a drama and the accompanying words or
actions that is understood by the audience but not by the
characters in the play —called also dramatic irony or
tragic irony
Ritual and Theatre The Evolution of Actor-Audience Relationship
Agrarian and Fertility RitesEarly cultures tried to find ways to appease the seemingly supernatural or
godlike forces that controlled the food supply.
Stories began to grow out of the "performance" of the ritual to explain why the
ritual was important.
As humanistic thought and
knowledge developed, rituals
became less important for
ensuring food and fertility for the
society.
Like modern Theatre, these rituals
contained enactment, imitation and
seasonal performances
Entertainment is a bonus for the
ritual audience; the goal is to gain
prosperity from the gods. Modern
Theatre must entertain.
photo by Melissa Byrd
The Evolution
of the Early
Theatrical
Space
From Religious
Ceremony to
Performance
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The famous Dionysan theatre was built into
the mountain that housed the famed
Acropolis.
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The Dionysia was a spring celebration
of the fertility god Dionysus – known as the
Festival of Dionysus
The last 3 days of the festival was dedicated
to 3 writers and their tragedies.
The winner received a lily wreath.
Famous competitors: Aeschylus, Sophocles
and Euripedes.
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Day 1 – proagon – plays announced
Day 2 – processions, parades, sacrifices
Day 3 – performance of the first five
comedies
Day 4-6 – performance of tragedies
Day 7 – judging and awards
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Aeschylus – used two men as actors; one
talking to the other
Sophocles – used three actors; each played
several parts
Euripedes – used even more actors; angered
the Greeks because he showed the Greeks
and gods in a sometimes negative light as
they really were; portrayed strong female
character; killed by wild dogs
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Men only -- one actor played several parts
wore high-heeled boots to add stature
masks often fitted with megaphones
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theatron – the theatre
skene – changing room
altar – middle of stage
chitons – brightly colored robes
onkoi – wigs
kothurnoi – shoes on small stilts
masks – had built in megaphones for
amplification; masks for comedies were
always def
Two major performance areas-
The Orchestra or “Dancing Circle”
served as the primary acting area
The Skene (scene building)-
consisted of a building behind the
orchestra probably used as a dressing
room, later to be integrated into the stage
action by an innovative playwright.
Greek Scenic Devices
Periaktoia revolving triangular devices with
one scene painted on each side.
Deus ex Machina“God From the Machine”
The Machina- a crane that
was used to represent
characters who were flying
or lifted off of the earth.
Tunnel
from behind the Skene to the center of the stage.
Scenic wagons
revealed through doors on the Skene.
Pinakes
painted panels that could be attached to the
skene.
Where and how were the dramas performed?
…In an amphitheatre
…With a chorus who
described most of the
action.
…With masks
…With all the fighting
and movement going
on off stage.
….With tragedy first,
then comedy later.
The Greek Chorus
The chorus was dominant because there was usually one actor
and that actor had to leave the stage several times during a show
to change characters.
The chorus was to be a representation of society, they often
served as the “ideal spectator” by providing advice, opinions,
questions to the audience and actors.
The main actor(s) stood apart in the performance space because
they typically played heroic figure that would realistically be
separated from normal mortal beings.
Their costumes and masks added spectacle and their movement
and dance heightened the dramatic effect.
Great actors were characterized by their voice quality and the
ability to adopt their manner of speaking to the character.
Greek and Roman Theatre share the following elements:
A facade stage- actors
performed in front of a
neutral background
Relationship with religion-
plays were presented as part
of a larger celebration
Special Occasion- theatre
was held on special
occasions and not often
enough to be taken for
granted.
Noncommercial
environment- the wealthy
citizens or the state picked
up the costs as part of the
obligation of citizenship.
Male-only performerswomen sat in the audience
only.
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Theatres were built into sides of hills so
that they could harness the natural
acoustics.
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Restored during the 1950’s. Can accommodate an
audience of 14,000
Used for modern performances of ancient drama.
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Masked actors performed outdoors in
daylight before audiences of 10,000 or
more at festivals. Masks made actors more
visible.
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Masks were used to show facial expression.
This helped to identify the character to the
audience.
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The use of masks enabled 1 actor to play
several parts in one play.
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Victorian excavations of Pompeii revealed
what might be considered ancient wallpaper
illustrating dramatic masks.
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Mouthpieces in the masks helped the
acoustics of the performance.
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Roman Actors with their masks
Some general categories of masks
1. OLD MEN
Smooth-Faced, White, Grizzled, Black-Haired, Flaxen and More
Flaxen
2. YOUNG MEN
Common, Curled, More Curled, Graceful, Horrid, Pale and Less Pale
3. SLAVES
Leathern, Peaked-Beard, Flat Nose
4. WOMEN
Freed Old Woman, Old Domestic, Middle Aged, Leathern, PaleDisheveled, Pale Middle Aged, Whorish-Disheveled, Virgin, Girl
5. SPECIALIST MASKS
Some made for specific characters, others for: Mourning, Blindness,
Deceit, Drunkenness...etc. (The comic masks, those especially of old
comedy, were as like as possible to true persons they represented,
or made to appear more ridiculous)
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No censorship of events.
However, Greeks were very polite on stage.
all spectacular action (death, murder,
adultery) happens off stage -- only
described.
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set the tone
recall events from the past
represents the feelings or morals of the characters
or audience
gives important background information
interprets and summarizes events
comments on action
gives advice to the characters
ask questions
give opinions, if asked
stay objective—did not disagree with leading actor
act like a jury of elders and reach a moralistic
conclusion
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Prologue: a preface
or an introduction
Parados: marks the
entrance of the
Chorus when they
first enter
Stasimon: songs 
the Chorus sings in 
Greek tragedy
between episodes
Episode: the main
action of the play; in
Greek drama it refers
to that part of a
tragedy presented
between two
stasimons
Exodus: conclusion
of the play
Exeunt: another
word for “Exit”
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Time – real time
Place – all in one place
Action – continuous action in one place
Aeschylus
524 B.C.
Seven Against
Thebes
Sophocles
496 B.C.
Antigone
Oedipus
Euripides
480 B.C.
Medea
Dramatist
Born
Wrote
Sophocles: The Three Theban Plays (Oedipus Rex)
Sophocles: (496- 406 B.C.E.)
•He wrote 123 or more plays during the
course of his life
•For almost 50 years, he was the dominant
competitor in the dramatic competitions of
ancient Athens that took place during the
religious festivals of the Lenaea and the
Dionysia.
•His first victory was in 468 BC, although
scholars are no longer certain that this was
the first time that he competed.
Sophocles: (496- 406 B.C.E.)
Sophocles: The Three Theban Plays (Oedipus Rex)
Sophocles: (496- 406 B.C.E.)
•Only seven of his tragedies have survived
into modern times with their text completely
known.
•The most famous of these are the three
tragedies concerning Oedipus and Antigone:
these are often known as the Theban plays
or The Oedipus Cycle, (Oedipus the King,
Oedipus at Colonus, & Antigone) although
they were not originally written or performed
as a single trilogy.
•Sophocles influenced the development of
the drama, most importantly by adding a
third character and thereby reducing the
importance of the chorus in the presentation
of the plot.
•He also developed his characters to a
greater extent than earlier playwrights such
as Aeschylus.
Sophocles: (496- 406 B.C.E.)
Sophocles: The Three Theban Plays (Oedipus Rex)
Background:
•Plays are set in Thebes (General Overview)
•Oedipus the King:
•Oedipus unknowingly kills his father,
King Laius, marries his mother and fathers
four children with her.
•Upon discovering he murdered his
father, he gouges his eyes out; Jocasta
commits suicide; Creon (Jocasta’s brother)
becomes King of Thebes and banishes
Oedipus
•Oedipus at Colonus:
•Antigone cares for her blind father
•Oedipus’s sons (Polynices & Eteocles)
fight over control of Thebes and kill
eachother in Battle; Oedipus mysteriously
dies
•Antigone:
•Antigone and sister Ismene try to
persuade Creon to properly bury
Polynieces, but refuses; Antigone commits
suicide as well as Creon’s wife after she
sees her dead son in the arms of Creon
Sophocles: (496- 406 B.C.E.)
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Use of dramatic irony
Acted in daytime without lights or curtains,
few sets
Actors were male; wore masks, wigs, and
high boots—all this added to the formality
Written in poetic verse rather than prose
Observed the three unities—time, place,
subject
Messengers used to tell audience about
events off stage—no violence shown on stage
Use of chorus—leader called Choragus
The
Storyline
Central
Character is of
the Elite Class
Central
Character
suffers a
Downfall
Central
Character is
Neither
Wholly good
nor wholly
evil
Downfall is
the result of
a TRAGIC Flaw
Misfortunes
involve
characters who
are related or
who are friends
Tragic actions
take place
offstage
Central
Character
has a moment
of
recognition
Audience
experiences
pity and fear
Pity and
Fear leads to
a catharsis
The End