Transcript GCSE MUSIC

Area of Study - Popular Music
• Rhythm and Metre
• Harmony and Tonality
• Texture and Melody
• Timbre and Dynamics
• Structure and Form
• Pulse
• simple and compound time
• regular, irregular, free
• augmentation, diminution, hemiola, cross rhythm
• dotted rhythms, triplets, syncopation
• poly rhythm
• drum fills
• diatonic, chromatic
• consonant, dissonant
• pedal, drone
• cadence: perfect, plagal, imprefect, interrupted, Tierce de
Picardie
• major, minor and dominant 7th chords
• tonal, major, minor, modal
• keys up to 4 sharps and 4 flats
• modulation to the dominant or relative major or minor
• harmonic/homophonic, polyphonic/contrapuntal, monophonic
• imitative, canonic, layered
• unison, octaves, single melody line, melody with accompaniment, antiphonal
• intervals within the octave
• conjunct, disjunct, triadic, broken chords, scalic, apreggio
• passing notes, acciaccaturas, appogiaturas, ornamentation
• blue notes
• diatonic, chromatic, pentatonic, whole tone, modal
• augmentation, diminution, sequence, inversion
• slide/glisaando/portamento
• ostinato, riff
• phrasing, articulation
• pitch bend
• improvisation
• Instruments and voices singly and in combinations used in the three strands
• generic families of instruments as found in world music
• timbre, including the use of technology, synthesised and computer generated sounds and
effects such as reverb, distortion and chorus
• instrumental techniques including con arco, pizzicato, con sordino, double stopping,
tremolo/tremolando
• vocal techniques such as falsetto and vibrato
• gradation of dynamics as follows:
- pp, p, mp, mf, f, ff
- crescendo, diminuendo
- sfz, sforzando
- hair pins
And common signs and symbols
• binary, ternary, call and response
• rondo, theme and variations, arch shape
• sonata, minuet and trio, scherzo and trio
• strophic, through composed, da capo aria, cyclic
• popular song forms
• ground bass, continuo, cadenza
Radiohead
ANALYSIS OF THE INTRODUCTION
RHYTHM AND METRE
4/4 time with a regular pulse
Tempo adagio (approx 72bmp)
HARMONY AND TONALITY
Diatonic
Minor key – A minor
TEXTURE AND MELODY
Ostinato/riff
TIMBRE AND DYNAMICS
Quiet
Picked acoustic guitar
STRUCTURE AND FORM
4 bar introduction
I have chosen the following
areas of study to help me
analyse the rest of the song:
Timbre and Dynamics
Structure and Form



Timbre
Dynamics
Form









Into – A/E guitar picked, quiet
V1 – picked guitar, male voice with reverb,
triangle, quiet
Chorus – as verse but louder
V2 – drums added, louder
Chorus – strings added, bass louder,louder
Inst/mid 8 – vocal ahhs added (2 parts now)
louder sustained strings, more complex
drum pattern
V3 – additional guitar part, quieter
Chorus – louder again
Outro – vocal patterns, repeated crescendos,
ends with quiet picked guitar.


Choose a song that you like and plan a
presentation about it based on at least 2
Musical Elements. You may use any medium
you want or you can just talk about it.
YOUR PRESENTATION MUST INCLUDE
PLAYING THE SONG