Transcript Music BTEC Level 2

MUSIC BTEC
LEVEL 2
H O LY C R A P Y O U ’ R E I N Y E A R 1 1
THIS YEAR YOU WILL
STUDY………..
• Unit 1 – The Music Industry (Mr Mastrocola)
• Unit 4 – Introduction to Composition (Mr Scagell
• Unit 5 – Introduction to Performance (Mr Mastrocola)
www.thebourneacademypa.com
UNIT 1 – THE MUSIC
INDUSTRY
• 100% Exam – May 2017
• You will not pass Music without passing this exam.
• The reason we are taking the exam in Year 10 is so you do not get
stressed and sad in Year 11 as you will have so much work to do.
UNIT 5 – INTRODUCING
MUSIC PERFORMANCE
• Group and Solo performances
• Logbook of practising
• Video diary of you practising
• Performances @The Christmas Cabaret and The BTEC composition
Sessions (May 2017)
UNIT 1 – THE MUSIC
INDUSTRY
• Homework – Due in this Monday 3rd October 2016
– Complete the PRS questions using your notes from this lesson.
– Homework sheet is on www.thebourneacademypa.com as is the
PowerPoint for you to look through.
– If you also look in resources then you will find a video you can watch as
well to help you.
An introduction to
PRS for Music
January 2009: PRS Template
Presentation
TWO KEY RIGHTS
MECHANICAL RIGHT
PERFORMING RIGHT
MECHANICAL RIGHT
Copyright, Designs & Patents Act 1988
• to copy the work
• to issue copies of the work to the public
If you can ‘hold’ your music you
may receive a mechanical royalty
MECHANICAL RIGHT
Mechanical income is collected from
the manufacturers of :compact discs
tapes
records
retail videos
television programmes
corporate videos
DVD
TV & radio adverts
NOVELTY GOODS
theatrical motion pictures
premium products
multi media products
INTERNET MUSIC SITES
PERFORMING RIGHT
Copyright, Designs & Patents Act 1988
• public performances: pubs, clubs, shops, hairdressers or
cinemas, etc.
• communicate a work to the public: television,
radio, satellite & cable transmission and the
Internet
If you can ‘hear’ your music you may
receive a performance royalty.
PERFORMING RIGHT
Performance income is collected from radio
& TV stations as well as all other music
users, including:cinemas
hairdressers
ice rinks
member’s clubs
Bingo
shops
VILLAGE HALLS
caravan parks
buses
hotels AIRCRAFT
pubs
youth clubs
theatres
mobile djs
ice cream vans
circuses
MUSIC ON HOLD
parks
railway stations
boats
universities
MECHANICAL RIGHT
PERFORMING RIGHT
PRS for Music represents both of these rights for
songwriters, composers and music publishers
Who we are
PRS for Music is a not-for-profit membership organisation responsible for
the collection and distribution of mechanical & performance income.
It brings together two UK royalty collection societies - the Mechanical
Copyright Protection Society (MCPS) and the Performing Right
Society (PRS)
Both of which were set up to collect and pay royalties to members when
their music is exploited in various ways – be it recorded onto any format
and distributed to the public, performed or played in public, broadcast or
made publicly available online.
OUR ROLE
To provide our customers with licences and collect the fees
To match the use of licensed music to the songwriter and publisher members
To pay royalties to songwriter and publisher members when their music is used
music using
customers
£
songwriters,
composers and music
publishers
£ ££
£££
£££
What do we do?
We represent over 75,000 direct members comprised of songwriters,
composers and music publishers
We make royalty payments - over £550 million was paid out in 2009
We provide access to the world’s repertoire of music – approx
10 million songs!
We issue nearly half a million licenses annually in the UK, covering
manufacturers of physical product, live venues, broadcasters,
business premises and online service providers
How did it all begin?
The Performing Right Society (PRS) was founded in 1914
The Mechanical-Copyright Protection Society (MCPS) was set up in 1924
Famous composers who were some of our original members
Arthur Bliss
Edward Elgar
Gustav Holst
Drum and
bass
Rock
Dance
Classical
Pop
Ska
Electro
Funk
…and from that we have grown
to over
Hip hop
75,000 members
covering all genres…
Indie
Soul
RnB
Jazz
Punk
Breakbeat
Country
Garage
Folk
Urban
Bhangra
House
Dubstep
Reggae
Metal
PERFORMING RIGHTS
Performance
Gigs, Clubs & Concert
Venues
Broadcast, On-line & Mobile
TV, Film & Radio
TV & Radio
Transmission
Live
Performance
Pubs, hotels, shops,
offices
Network Operator
Playback of
recorded
music
Mobile
Transmission
Website Owner
Cinema & Theatre
Theatrical
Streamed
Music
The Performing Right process
Radio
Submits
play lists
Submits
play lists
TV
Pays
for licence
PRS for Music
Performing right
Pays
for licence
Distributes
royalties
Registers
songs
PRS Member
Submits
set lists
Live
Pays
for licence
MECHANICAL RIGHTS
Physical
Covermount
CD
Digital
Publisher
Digital Music Retailer
Downloads
Commercial
release DVD
Commercial
release CD
Manufacturer or
Distributor
Record Label
Mobile Content
Retailer
Ringtones
Production
Library CD
Professional Music
User
Website Owner
Streamed
Music
The Mechanical Right process
Applies for
licence
Registers
songs
MCPS Member
Distributes
royalties
Issues
licence
PRS for Music
Mechanical right
Record Label
Pays
licence
International Royalties
Performance rights
&
Mechanical rights
France
SACEM
SACEM
USA
ASCAP, BMI
& SESAC
HFA
Italy
SIAE
SIAE
Australia
APRA
AMCOS
PRS for Music has nearly 150 reciprocal contracts with
mechanical and performance organisations around the world.
Here are some examples of overseas collection societies.
REWARDING SONGWRITERS
A songwriter is due royalty money when:
• Their music is performed live in a licensed venue (either by them or another
artist)
• Their music is played on TV, radio, or in a business
• Their music is streamed or downloaded online
• Their music is physically reproduced
By becoming a member of PRS for Music, we ensure this money is
paid to them!
JOINING PRS FOR MUSIC
Admission fee for writers:
For performance income only: £10
For mechanical income only: £50
Admission fee for publishers:
For performance income only: £400
For mechanical income only: £50
www.prsformusic.com/joinus