224916_AMERICAN_LITERATURE.pptx
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AMERICAN LITERATURE,
AN OVERVIEW
PRE-HISTORY - PRESENT
TAKING NOTES
You are to view this presentation and listen as the instructor
speaks. PAY ATTENTION.
Take notes – write down the important facts and info.
If the instructor adds information that sounds important or helps
you to connect to the topic, include it.
If you miss something, either get it from a neighbor at the end of
class, or view this presentation on Mrs. Utley’s website. It can be
found by following the links for English 10 homework at:
http://www.asdk12.org/staff/utley_amy/
ERAS
PREHISTORY
ENLIGHTENMENT
(1607-1800)
Phase One
(1607- 1750)
Age of Faith
Native
American
Mythology
Phase Two
(1750-1800)
Age of
Reason
ROMANTICISM
(1800-1855)
Gothic
Literature
(subgenre)
REALISM
(1865-1915)
MODERNISM
(1915-1945)
Science
Fiction and
Fantasy
Naturalism
(sub-genre)
Transcendentalism
(1840-1855)
CONTEMPORARY
(1945-PRESENT)
Harlem
Renaissance
(1915-1929)
Influx of
female
writers
Increase in multicultural lit
PRE-HISTORY
NATIVE AMERICAN MYTHOLOGY
• BEFORE EUROPEAN INVASION (pre-1620)
• CHARACTERISTICS:
• CREATION STORIES – “How did __________ come to
be?”
• NATURE as TEACHER/COMPANION
• STYLE/GENRE:
• Oral Tradition – Not recorded until later
ENLIGHTENMENT
CHARACTERISTICS
• INDEPENDENCE
• From Catholic Church
• From aristocracy
• DEVELOPMENT OF SCIENCES
TWO PHASES
• AGE OF FAITH
• AGE OF REASON
AGE OF FAITH
(1620-1750)
CHARACTERISTICS:
• PURITANS AND PILGRIMS
• Differed from Catholics – personal relationship
with God. No priest needed.
• Puritan Work Ethic - salvation through work
and religious devotion.
STYLES/GENRES
• SERMONS, DIARIES, LETTERS, POEMS
• RELIGIOUS, STYLE IS DIRECT
AGE OF REASON
(1750-1800)
CHARACTERISTICS
• SCIENCE AND LOGIC TEMPER RELIGION
• IDEALISTIC PHILOSOPHY – POWER OF THE
INIDIVIDUAL
STYLES/GENRES
• PAMPHLETS, SPEECHES, DOCUMENTS
• INSTRUCTIVE, INFORMATIVE, ORNATE
• Declaration of Independence
ROMANTICISM
1800-1855
CHARACTERISTICS:
• ASSERTION OF THE HUMAN SPIRIT
• INSTINCT AND IMAGINATION OVER FACT
• DEVELOPMENT OF SYMBOLISM
STYLE/GENRE:
• SHORT STORIES/NOVELS
WRITERS:
• Nathaniel Hawthorne
• Edgar Allan Poe – Father of American Short Story
GOTHIC
(SUB-GENRE OF ROMANTICISM)
CHARACTERISTICS:
• DARK SIDE OF ROMANTIC LIT
• MAN HAS BOTH GOOD AND EVIL
ATTRIBUTES
• SETTING – DARK, SPOOKY (CATHEDRALS,
CASTLES, RAIN, ISOLATION
• INCORPORATES SUPERNATURAL
TRANSCENDENTALISM
(1840-1855)
CHARACTERISTICS:
• MOVEMENT OF LITERARY ACADEMICS
CENTERED IN NEW ENGLAND (BOSTON
• RALPH EMERSON – FATHER OF MOVEMENT
• TRUTH – TRANSCENDS FACT / TRUST INTUITION
• INDIVIDUALS MUST WORK TO UNDERSTAND
SELF AND THE WORLD AROUND HIM/HER.
KEY WRITERS:
• HENRY DAVID THOREAU, WALT WHITMAN
REALISM
1850-1915
CHARACTERISTICS:
• FOCUS ON THE LIVES OF ORDINARY PEOPLE
• ANTI-MATERIALISM
• OFTEN AIMS TO SOLVE A SOCIAL PROBLEM
STYLE /GENRES:
• USED REGIONAL DIALECTS – the way
people actually spoke
• REFLECTION OF LIFE AS IT IS
WRITERS:
• MARK TWAIN, FREDRICK DOUGLAS
NATURALISM
(SUB-GENRE OF REALISM)
CHARACTERISTICS:
• DARKER FORM OF REALISM
• FREE WILL IS AN ILLUSION
STYLE / GENRE:
• THEMES OF SURVIVAL, FATE, NATURE AS
AN INDIFFERENT FORCE
WRITERS:
• STEPHAN CRANE, JACK LONDON
MODERNISM
(1915-1945)
CHARACTERISTICS:
•
•
•
•
BREAK WITH TRADITION, RISE OF NEW YOUTH
RESPONSE TO WW’s I & II
ALIENATION
“JAZZ AGE”
GENRE /STYLE:
• HIGHLY EXPERIEMENTAL – STREAM OF
CONSCIOUSNESS
• USE OF FRAGMENTS/ALTERNATE
PUNCTUATION
FAMOUS “MODERNISTS”
ERNEST HEMINGWAY
F. SCOTT FITZGERALD
JOHN STEINBECK
WILLIAM FAULKNER
E E CUMMINGS
T.S.ELIOT
HARLEM RENAISSANCE
(1915-1929)
CHARACTERISTICS:
• SURGE OF NEW ART (LITERATURE, MUSIC,
DANCE, THEATRE) BEGUN IN HARLEM, N.Y.
GENRE/STYLE:
• LITERATURE, DANCE, MUSIC HEAVILY
INFLUENCED BY JAZZ
CONTEMPORARY AGE
(1945-PRESENT)
CHARACTERISTICS:
•
•
•
•
INCREASED MEDIA AND TECHNOLOGY
VALUES ARE NOT PERMANENT
ANTI-HERO
SEEKING SOCIAL CHANGE
GENRE/STYLE:
• EMERGENCE OF SCI-FI/FANTASY AND
HORROR
CONTEMPORARY WRITERS
JOHN UPDIKE
TRUMAN CAPOTE
JOYCE CAROL OATES
STEPHEN KING
FUTURE
WHAT NEW FORMS OF LITERATURE MIGHT
EMERGE IN THE FUTURE?
IN WHAT WAYS HAS THE INTERNET BEGUN TO
AFFECT AMERICAN WRITING?
IN WHAT WAY(S) DO YOU FORESEE POLITICAL
AND CULTURAL GLOBALIZATION AFFECTING THE
LITERATURE OF TOMORROW?