Transcript Ch 17: The Romantic Era

Ch 17: The Romantic Era
See Course Outline for reading assignment.
You should print the slides for any paintings that are not shown in your
book.
Featured Works
All of the Romantic paintings shown in
this slide presentation or referred to in
the chapter.
Shelley’s “Ode to the West Wind”
Whitman’s “Song of Myself”
Other important works
Compositions by Beethoven
Chopin’s nocturnes
Operas by Verdi and Wagner
that we discuss
Terms
Romanticism
nocturne
opera
ode (in literature)
iambic pentameter
Overview of Romanticism
What are the four characteristics of
Romanticism described early in the
chapter?
(add information on Romanticism and
the cultural background from class
lecture to your notes)
Instrumental Music
• Ludwig van Beethoven: Know about
his life (pp. 450-51). In what ways
does the Pathetique express the
Romantic spirit?
•
http://music.barnesandnoble.com/Beethoven-The-Piano-Sonatas-Vol2/Andr-s-Schiff/e/028947631002
• Frederic Chopin: Be able to define the
term nocturne and explain how it is
“romantic.”
Opera Music
• Giuseppe Verdi and Richard Wagner: How did
opera “begin to move in a different direction”
through these composers?
– In what ways does Verdi’s La Traviata exhibit
Romantic characteristics?
– How did Wagner’s opera fulfill his goal of creating the
“complete artwork”?
– What are Romantic characteristics of The Ring of the
Nibelung and Tristan and Isolde?
Art
Be able to describe the Romantic elements
in the following paintings.
Goya: Saturn Devouring One of His Sons
Friedrich: Cloister Graveyard in the Snow
Constable: Dedham Lock and Mill
Delacroix: Liberty Leading the People
Heade: Two Fighting Hummingbirds with Two Orchids
Cole: The Clove, Catskill Mountains
Eakins: Cowboy Singing
Eakins: Swimming Hole
Literature
Because we lack the time to read and
consider many of the great Romantic
writers, we will focus on Percy Byshe
Shelley’s “Ode to the West Wind” and Walt
Whitman’s “Song of Myself”. Read these
poems on the following slides.
Other writers of the Romantic period include
Goethe, Wordsworth, Byron, Keats, Hugo,
Tolstoy, Dickens, and Thoreau.
Ode to the West Wind
Percy Bysshe Shelley
I
O wild West Wind, thou breath of Autumn's being,
Thou, from whose unseen presence the leaves dead
Are driven, like ghosts from an enchanter fleeing,
Yellow, and black, and pale, and hectic red,
Pestilence-stricken multitudes: O thou,
Who chariotest to their dark wintry bed
The wingéd seeds, where they lie cold and low,
Each like a corpse within its grave, until
Thine azure sister of the Spring shall blow
Her clarion o'er the dreaming earth, and fill
(Driving sweet buds like flocks to feed in air)
With living hues and odors plain and hill:
Wild Spirit, which art moving everywhere;
Destroyer and preserver; hear, oh, hear!
II
Thou on whose stream, 'mid the steep sky's commotion,
Loose clouds like earth's decaying leaves are shed,
Shook from the tangled boughs of Heaven and Ocean,
Angels of rain and lightning: there are spread
On the blue surface of thine aery surge,
Like the bright hair uplifted from the head
Of some fierce Maenad, even from the dim verge
Of the horizon to the zenith's height,
The locks of the approaching storm. Thou dirge
Of the dying year, to which this closing night
Will be the dome of a vast sepulchre,
Vaulted with all thy congregated might
Of vapors, from whose solid atmosphere
Black rain, and fire, and hail will burst: oh, hear!
III
Thou who didst waken from his summer dreams
The blue Mediterranean, where he lay,
Lulled by the coil of his crystalline streams,
Beside a pumice isle in Baiae's bay,
And saw in sleep old palaces and towers
Quivering within the wave's intenser day,
All overgrown with azure moss and flowers
So sweet, the sense faints picturing them! Thou
For whose path the Atlantic's level powers
Cleave themselves into chasms, while far below
The sea-blooms and the oozy woods which wear
The sapless foliage of the ocean, know
Thy voice, and suddenly grow gray with fear,
And tremble and despoil themselves: oh, hear!
IV
If I were a dead leaf thou mightest bear;
If I were a swift cloud to fly with thee;
A wave to pant beneath thy power, and share
The impulse of thy strength, only less free
Than thou, O uncontrollable! If even
I were as in my boyhood, and could be
The comrade of thy wanderings over Heaven,
As then, when to outstrip thy skiey speed
Scarce seemed a vision; I would ne'er have striven
As thus with thee in prayer in my sore need.
Oh, lift me as a wave, a leaf, a cloud!
I fall upon the thorns of life! I bleed!
A heavy weight of hours has chained and bowed
One too like thee: tameless, and swift, and proud.
V
Make me thy lyre, even as the forest is:
What if my leaves are falling like its own!
The tumult of thy mighty harmonies
Will take from both a deep, autumnal tone,
Sweet though in sadness. Be thou, Spirit fierce,
My spirit! Be thou me, impetuous one!
Drive my dead thoughts over the universe
Like withered leaves to quicken a new birth!
And, by the incantation of this verse,
Scatter, as from an unextinguished hearth
Ashes and sparks, my words among mankind!
Be through my lips to unawakened earth
The trumpet of a prophecy! O Wind,
If Winter comes, can Spring be far behind?
excerpts from Song of Myself
Walt Whitman
1
I celebrate myself, and sing myself,
And what I assume you shall assume,
For every atom belonging to me as good belongs to you.
I loafe and invite my soul,
I lean and loafe at my ease observing a spear of summer grass.
My tongue, every atom of my blood, form'd from this soil, this air,
Born here of parents born here from parents the same, and their
parents the same,
I, now thirty-seven years old in perfect health begin,
Hoping to cease not till death.
Creeds and schools in abeyance,
Retiring back a while sufficed at what they are, but never forgotten,
I harbor for good or bad, I permit to speak at every hazard,
Nature without check with original energy.
...
2
Houses and rooms are full of perfumes, the shelves are crowded with
perfumes,
I breathe the fragrance myself and know it and like it,
The distillation would intoxicate me also, but I shall not let it.
The atmosphere is not a perfume, it has no taste of the
distillation, it is odorless,
It is for my mouth forever, I am in love with it,
I will go to the bank by the wood and become undisguised and naked,
I am mad for it to be in contact with me.
...
Have you reckon'd a thousand acres much? have you reckon'd the earth
much?
Have you practis'd so long to learn to read?
Have you felt so proud to get at the meaning of poems?
Stop this day and night with me and you shall possess the origin of
all poems,
You shall possess the good of the earth and sun, (there are millions
of suns left,)
You shall no longer take things at second or third hand, nor look through
the eyes of the dead, nor feed on the spectres in books,
You shall not look through my eyes either, nor take things from me,
You shall listen to all sides and filter them from your self.
52
The spotted hawk swoops by and accuses me, he complains of my gab
and my loitering.
I too am not a bit tamed, I too am untranslatable,
I sound my barbaric yaws over the roofs of the world.
The last scud of day holds back for me,
It flings my likeness after the rest and true as any on the shadow'd wilds,
It coaxes me to the vapor and the dusk.
I depart as air, I shake my white locks at the runaway sun,
I effuse my flesh in eddies, and drift it in lacy jags.
I bequeath myself to the dirt to grow from the grass I love,
If you want me again look for me under your boot-soles.
You will hardly know who I am or what I mean,
But I shall be good health to you nevertheless,
And filter and fibre your blood.
Failing to fetch me at first keep encouraged,
Missing me one place search another,
I stop somewhere waiting for you.